单词:ossa supranavicularia
单词:ossa supranavicularia 相关文章
Luiz Gonzaga you can compare him with Bob Marley in reggae, because he really did the melting of the style, you know. And it became very well known because he recorded it, he played it on the radio in the 40s, / 50s, so he came up with the new rhythm
After Luiz Gonzaga died in 1989, a statue was erected just outside Recife, the capital of his home state, Pernambuco. It marks the start of the Luiz Gonzaga Highway. Gonzaga had reminded Brazils city dwellers of the depth of music that exists out in
This is the story of a country whose music has seduced the outside world and taken on an importance that goes far beyond entertainments. You want to learn about Brazilian history without going through the books? You can just listen to the music and y
Samba was born along the northeastern coast around the city of Salvador/back in the days of slavery. Salvador in Bahia state was the first capital of Brazil when it was colonized by the Portuguese in the 16th century. The indigenous tribes who lived
The samba rhythm developed from percussion styles used in Candomble, an African influenced religion which was banned in the slave era. In Candomble ceremonies, drummers call down different gods, or orixas who are said to act as guides and guardians f
In 1888, Brazil became the last major country in the world to officially abolish slavery, 66 years after breaking away from Portugal to become an independent state. Black workers were at last free to leave the plantations. Many headed south to Rio de
Everybody came from everywhere else in the country to live here, so even if the original bits of samba may have come from Bahia, from Africa and such and such, uh, Rio, being a more cosmopolitan place, would incorporate all influences and create diff
In Rio, African rhythms began to mix with European styles. And it was at the house of a Candomble practitioner, a priestess named Tia Ciata, Auntie Ciata, that the first song widely recognized as Carioca samba, samba from Rio, was performed in 1916.
Racial discrimination was now banned in Brazil, but prejudice and the belief in white supremacy was still widespread. So there was outrage in the press that black musicians like Pixinguinha should be allowed to represent Brazil when he and his band O
Samba and Choro both started out as the homegrown musical styles of the black workers and migrants whod moved to Rio. The songs of the early Samba singers dealt with the realities of everyday life in the city. In the early days, musicians faced not o
The man who transformed Samba was President Getlio Vargas, who seized power with military help in 1930. Vargas controlled Brazil for 18 years, first as a dictator and later as a democratically elected president. He was both an authoritarian and a pop
Some said she wasn't a true Brazilian, because she was born in Portugal. But Carmen Miranda conquered Brazil during the 30s and then moved on to the States. Her songs came from the finest writers of the days, including Dorival Caymmi and Ary Barroso,
The unlikely duo of Carmen Miranda and President Vargas had not always found favor within Brazil for their music ideas. But between them, they transformed the international image of Brazil and the Rio music scene by promoting samba and carnival. Duri
President Vargas gave Rio the Carnival for which the city became world-famous, but less than two years after his death, a new form of samba emerged that reflected a new political era in Brazil and would bring Rio even more international exposure and
I would say bossa nova is a kind of soft samba, maybe played a little bit slower, just with the guitars, simpler, and very light singing, soft singing, and soft guitars doing the rhythm. Not a lot of drums like the big samba schools, maybe just a few
It is a true story, you know, he used to play his to, to study his guitar and he would study the part of the thumb like this, ting, ting, he would go like that. The thing is there was a cat watching that. And poor cat was justand he would look at the
Tom Jobim wrote many of his songs here in the countryside outside Rio. Jobim lived and worked in the house that his son and grandson are now restoring. He studied a lot Chopin, Debussy, Brahms also. He liked to wake up very early. And hes in this hou
He was the best lyricist. He never made a mistake with a song of mine. And he would come later with the perfect lyric for the song. He was very successful with women and he was not exactly a good-looking man. He was fat, short, bald. But women, I've
And in April 1962, the two of them released Jazz Samba, reworking Joao Giilberto and Jobim songs like Desafinado. Remarkably for a jazz album, it became a best-seller and stayed in the American charts for a quite astonishing 70 weeks. Bossa nova sudd
Garota de Ipanema, Girl from Ipanema, had been written by Jobim and Vinicius in 1962 as they sat in this bar off Copacabana, watching the girls walk by. They wrote that song just because they saw the same girl passing by the bar, going towards the be