时间:2018-12-04 作者:英语课 分类:新编大学英语听力浙大版


英语课

[00:03.35]Public Speaking

[00:06.66]Part Two

[00:09.76]Listening-Centered Activities

[00:13.97]Listening 1

[00:17.24]Exercise 1

[00:20.95]Directions:

[00:24.41]Listen to the talk carefully and discuss with your neighbor

[00:30.49]to decide which of the following are the reasons the speaker cites

[00:35.68]to show the importance of posture 1 and body movements.

[00:40.82]As a speaker,

[00:43.96]you must be aware of your body as an important source of communication.

[00:50.18]In fact,

[00:53.17]the body is so expressive 2 in communicating ideas and feelings

[00:58.79]that many of our verbal expressions are based on descriptions of body movements.

[01:04.76]For example, a person who maintains a positive attitude in times of adversity

[01:11.78]is said to keep a "stiff upper lip".

[01:16.14]Someone in great suspense 3 or suffering extreme anxiety

[01:21.07]is said to be "sitting on the edge of his seat".

[01:25.46]These figures of speech accurately 4 describe the body movements

[01:31.37]of people in these situations.

[01:35.36]Our body movements

[01:39.25]and posture are closely related to our physical and emotional states.

[01:45.84]On the physical level, posture can reveal whether a person is tired,

[01:52.00]energetic or in pain. On an emotional level,

[01:59.34]posture also tells us something about a person's self-image.

[02:04.70]People with great self-confidence move about easily, stand up straight,

[02:11.29]and hold up their heads.

[02:15.40]Those individuals who are shy, ill at ease or ashamed of themselves

[02:21.70]are more likely to keep their heads and eyes lowered.

[02:27.06]A speaker's body movements and posture

[02:32.10]influence an audience's perceptions in many ways.

[02:37.50]In order to appear poised 5 and confident, try standing 6 comfortably "at ease",

[02:44.48]with your weight equally distributed over both feet.

[02:49.16]Find ways to make your body relax; if you are too stiff,

[02:55.36]the audience may begin to feel uncomfortable.

[02:60.00]At the other extreme, avoid leaning on the lectern,

[03:05.87]or standing with your weight distributed on one hip 7 or the other.

[03:11.41]If your posture is too relaxed, you may be perceived as too casual.

[03:17.86]Exercis 2

[03:21.46]Directions:

[03:24.88]Listen to the talk again

[03:28.51]and complete the following sentences with the information you hear.

[03:34.67]Listening 2

[03:38.38]Exercise 1

[03:41.83]Directions:

[03:45.14]Listen to the talk and write down the guidelines for using humor in a speech.

[03:53.17]Compare your notes with your neighbor's afterward 8.

[03:58.39]Humor can be very effective if used properly in a speech.

[04:04.51]Use the following guidelines:

[04:08.69]1.Make sure your material is funny. Rehearse your speech with a friend.

[04:16.46]Try to think as your audience thinks.

[04:21.29]2.Be original. Don't tell a joke or story the audience has already heard.

[04:29.89]Remember, a speech to entertain is not a comedy routine you decided 9 to copy.

[04:37.24]3.Don't use private jokes.

[04:42.53]A private joke is a humorous remark that only a few people understand

[04:49.62]because they have private or personal information.

[04:54.84]The rest of the audience is left out.

[04:59.23]This type of humor is most appropriate when you're with a small group of friends.

[05:06.36]4.Pause for laughs.

[05:11.58]If you say something funny and immediately follow it with another comment,

[05:18.46]the members of the audience won't laugh. They'll be listening to your next comment.

[05:25.58]Effective use of pauses is part of comic timing 10.

[05:32.57]5.Don't aim your humor at a single person.

[05:38.87]If you do, the audience will think you are sarcastic 11 and mean.

[05:44.77]While some good-natured jokes about others are fine,

[05:50.10]make sure they're few and good-na-tured.

[05:56.11]6.Above all, use humor that doesn't offend people.

[06:02.63]Never make jokes at another person's expense.

[06:07.56]Never use humor that makes an audience feel uncomfortable. If you suspect that a story



1 posture
n.姿势,姿态,心态,态度;v.作出某种姿势
  • The government adopted an uncompromising posture on the issue of independence.政府在独立这一问题上采取了毫不妥协的态度。
  • He tore off his coat and assumed a fighting posture.他脱掉上衣,摆出一副打架的架势。
2 expressive
adj.表现的,表达…的,富于表情的
  • Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
  • He had a mobile,expressive,animated face.他有一张多变的,富于表情的,生动活泼的脸。
3 suspense
n.(对可能发生的事)紧张感,担心,挂虑
  • The suspense was unbearable.这样提心吊胆的状况实在叫人受不了。
  • The director used ingenious devices to keep the audience in suspense.导演用巧妙手法引起观众的悬念。
4 accurately
adv.准确地,精确地
  • It is hard to hit the ball accurately.准确地击中球很难。
  • Now scientists can forecast the weather accurately.现在科学家们能准确地预报天气。
5 poised
a.摆好姿势不动的
  • The hawk poised in mid-air ready to swoop. 老鹰在半空中盘旋,准备俯冲。
  • Tina was tense, her hand poised over the telephone. 蒂娜心情紧张,手悬在电话机上。
6 standing
n.持续,地位;adj.永久的,不动的,直立的,不流动的
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
7 hip
n.臀部,髋;屋脊
  • The thigh bone is connected to the hip bone.股骨连着髋骨。
  • The new coats blouse gracefully above the hip line.新外套在臀围线上优美地打着褶皱。
8 afterward
adv.后来;以后
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
9 decided
adj.决定了的,坚决的;明显的,明确的
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
10 timing
n.时间安排,时间选择
  • The timing of the meeting is not convenient.会议的时间安排不合适。
  • The timing of our statement is very opportune.我们发表声明选择的时机很恰当。
11 sarcastic
adj.讥讽的,讽刺的,嘲弄的
  • I squashed him with a sarcastic remark.我说了一句讽刺的话把他给镇住了。
  • She poked fun at people's shortcomings with sarcastic remarks.她冷嘲热讽地拿别人的缺点开玩笑。
学英语单词
aided laying
alienate from
aluminithermic weld
amoinder
animadvertiser
application instituting proceedings
bromomethylation
burial custom
centre of a rope
cockpunched
coding capacity
Codonopsis argentea
comb neophoscope
compact tension specimen
Craspedia
cross-correlation method
crystal bomb
cutter-compensation
cyan aniline
dadad blamed
diazoic acid
doves
em leader
equiform geometry
Erzgebirge (Krušné Hory)
esroes
focal axis
font baseline extent
force placement method
formamidines
full powers
gaufferings
general apportionment
gomophioside
gray solodic soil
Greenberg's method
gregaritic
guaracha (cuba)
heat distortion temperature
hipdom
hostile-weapons location system (howls)
hybrid encoder
hysterotrachelectasia
ies
Indocalamus latifolius
land sites
langern
lea count-strength product(lcsp)
loud-moutheds
macrodirectory
magistra
mammoplasty
mangostan
Mannich condensation
manure loader
Masharbrum
mellivorous
mill furnace cinder
milled border
mistura magnesiae et asafoetidae
Mladenovac
no-growthers
non-contractual claim
noncylindricity
oilcanning
paleomagnetic chronological scale
pennar
peptogaster
philistias
pittious
plasmaisogamous
political ties
postintervention
pressure gradient effect
programmable keyboard
Propoquin
quadriceps muscle of thigh
radio bearer circuit
Radziejów
ram piston
release guard sequence
roentgen per hour at one meter
rumohr
seismic survey vessel
selective tracing routine
shyish
side relief valve
sintayhu
SLCG
some ... or other
sound-insulating structure
speed-freaks
taut-wire apparatus
Teller mine
third triad
transient modulation
vulturine
wet-on-wet painting
willings
windward area
wing case
wood agate