娱乐新天地Trailer 2006-父辈的旗帜 / Flags of Our Fathers
时间：2018-12-07 作者：英语课 分类：娱乐新天地Trailer 2006
英语课
Flags of Our Fathers
(Movie) February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest 1 battles of the war was the struggle for the island of Iwo Jima, which culminated 2 with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare 3 or glory. 'Flags of Our Fathers' is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company.
片名： Flags of Our Fathers
译名：父辈的旗帜
导演：克林特·伊斯特伍德 Clint Eastwood
主演：
瑞安·菲利普 Ryan Phillippe
本·沃克 Ben Walker
亚当·贝奇 Adam Beach
类型：剧情 Drama 战争 War
上映：2006年 10 月 20 日
地区：美国
出品：梦工厂 Dreamworks
Transcript 4 and Translation
You get it?
拍到啦？
I don't know. I wish we could have seen their faces.
我不知道，但愿能看清他们的脸
The right picture can win or lose a war.
好的照片能够决定战争的输赢
You're gonna want to see this!
你得瞧瞧这张照片
Now/no, this picture, people went crazy over it. Country was tired of the war. One photo, almost all on its own, turned that around.
的确这张照片令大家为之振奋。整个国家对这场战争已经厌倦。仅此一张照片便可扭转乾坤
We're clear ....go, go, go, go... move, move...
安全...快快快快... 冲啊冲啊...
And there is why they aren't shooting.
他们怎么都不开枪啊?
Maybe they are all dead.
或许他们都死光光了
What do you think, Deck? You think they are all dead?
戴克你觉得呢? 你认为他们都死光了?
Capt. Severance 5 asked me who else was in that picture.
思韦伦斯上校问我还有谁在那张照片
You told them that it was me?
你告诉他们我在其中了?
No.
没有
Then pick someone dead.
那就选个阵亡的将士吧
They don't want somebody dead, they wanna ship us back to the States. 他们并不需要阵亡的他们要将我们送回国内
Here are the Heros of Iwo Jima.
欢迎我们的硫磺岛英雄
Everybody wants to meet you guys, listen, simple things I want you to say, mostly, buy bonds
大家都想见到你们。听着，我最想和你们谈论的事情就是买国债
You know, I think this whole damn thing is a farce 6.
你知道么，在我看来，这简直就是一场闹剧
If we don't raise 14 billion dollars, this war is over by the end of the month.
如果我们筹集不到140亿美元月末这场战争就会结束
As far as us, being/in the Heros of Iwo Jima, that's just not the case. The real heros are dead on that island.
对于我们而言，被授予硫磺岛英雄称号，只是浪得虚名。真正的英雄已经长眠于那座岛屿
Knowing he was with you that day, and seeing him in that photograph, I don't know why it makes me feel better, but it does.
得知那一天他和你在一起，看着照片中的他，我不知道为何我感受好多了，真的
It's so silly?
是不是有点傻?
No, it's not.
不不是
I can't take them calling me a hero. Some of the things I saw them die, they want things to be proud of .
我无法承受他们称我为英雄，目睹他们的牺牲。他们应当倍感自豪
影片简介
1945年2月，虽然欧洲战场上的硝烟已经要接近尾声，但在太平洋战场的炮声还在继续。太平洋战场上的硫磺岛战役是一场极端惨烈的战役，短短一个月里先后有22000个日本人和26000个美国人战死。在经过了浴血战斗之后，最后美国人取得胜利，六个美国士兵将美国国旗插上硫磺岛最高点，胜利的旗帜将被永久的铭记！
在美国华盛顿广场上，树立着一座雕塑——在枪林弹雨中，六个美国士兵将一面美国国旗插上了硫磺岛最高点。那是美国二战历史中最标志性的一刻，而那些士兵们却从来没有想过能否成为英雄的问题，对于他们来说，那一刻只不过是战争的残酷、战友的手足之情、正义的反击和胜利的象征。铁骨铮铮的硬汉克林特·伊斯特伍德堪称是震撼人心的硫磺岛战役导演的不二人选，而继《百万美元宝贝》之后和金牌编剧保罗·哈吉斯再次合作也确保了父辈的旗帜会迎风飘扬。
电影评价
相比近年的同类作品《拯救大兵瑞恩》、《细细的红线》、《黑鹰坠落》、《我们是士兵》、《三王夺金》、《风语者》……，《父辈的旗帜》的最显著特点便是缺乏星光。无汤姆·汉克斯、西恩·潘、乔什·哈奈特、伊万·迈克格雷格、梅尔·吉普森、乔治·克鲁尼、尼古拉斯·凯奇之类的主演（当然，有明星未必票房俱佳），算是市场行情的负面因素。
不过，“同名原著小说的畅销＋导演、监制两位大人的知名度”，可视作对上述劣势的弥补。另外，尽管在10月发行战争片绝非主流，且“申奥作品”一旦评价未如预期便迅速降温，但奥利佛·斯通那部正反两论的《世贸中心》尚有7000万＄进账。因此，有理由相信"不碰新伤、只谈旧事"的《父辈的旗帜》卖得更好。
作为主旋律二战史诗，影片将再现太平洋战争的“人间地狱”硫磺岛战役。两万六千余名美军官兵阵亡换来的胜利，以6位士兵在萨瑞巴奇山顶插上星条旗的经典瞬间永在史册。本作以传奇照片为故事的起点，回朔残酷的硝烟，很早便被各界看好是本年度所有“奥斯卡企图”中最夺目的看点。参考"世界第一帅老头"伊斯特伍德大人的两部近作《神秘河》、《百万宝贝》，均入围奥斯卡最佳影片，票房也分别高达9000万＄和1亿＄。因此，品质同样值得期待的《父》，一定收获不菲。
Movie Review (电影评论)
Ambitiously tackling his biggest canvas to date, Clint Eastwood continues to defy and triumph over the customary expectations for a film career in "Flags of Our Fathers." A pointed 7 exploration of heroism 8 -- in its actual and in its trumped-up, officially useful forms -- the picture welds a powerful account of the battle of Iwo Jima, the bloodiest single engagement the United States fought in World War II, with an ironic 9 and ultimately sad look at its aftermath for three key survivors 10. This domestic Paramount 11 release looks to parlay critical acclaim 12 and its director's ever-increasing eminence 13 into strong B.O. returns through the autumn and probably beyond.
Conventional wisdom suggests directors slow down as they reach a certain age (Eastwood is now 76), become more cautious, recycle old ideas, fall out of step with contemporary tastes, look a bit stodgy 14. Eastwood has impertinently ignored these options not only by undertaking 15 by far his most expensive and logistically daunting 16 picture, but by creating back-to-back bookend features offering contrasting perspectives on the same topic; the Japanese-language "Letters From Iwo Jima," showing the Japanese side in intimate terms, will be released by Warner Bros. next year.
One way to think about "Flags" is as "The Man Who Shot Liberty Valance" of this generation. That 1962 John Ford 17 Western is famous for its central maxim 18, "When the legend becomes fact, print the legend," and "Flags" resonantly 19 holds the notion up to the light. It is also a film about the Greatest Generation that considers why its members are, or were, reticent 20 to speak much about what they did in the war, to boast or consider themselves heroes.
Skillfully structured script by William Broyles Jr. and Paul Haggis throws the audience into the harrowing action of the Iwo Jima invasion as a personal memory that can never be softened 21 or forgotten. But the brutal 22 fighting is eventually juxtaposed with the government's use of the celebrated 23 image of the Marines raising the flag on Mount Suribachi for propaganda and fund-raising, with scant 24 ultimate regard for the "heroes."
Reflecting its origins in the bestselling 2000 book by James Bradley (son of one of the central figures) with Ron Powers, tale is framed around a son's search into the wartime exploits of his father John Bradley, one of the six men pictured raising the flag. The I.D.ing and matching of some old-timers to their younger selves is never the easiest thing to do, and the same goes for getting all the names immediately straight for a bunch of young soldiers wearing identical uniforms and very short hair.
But the camera focuses on a handful of the 30,000 troops that landed on the inhospitable spec of volcanic 25 ash and tufa that is Iwo Jima on Feb. 19, 1945, to dislodge some 20,000 well-fortified Japanese.
Among the men are John "Doc" Bradley (Ryan Phillippe), the only Navy man in a group that otherwise includes Marines: Rene Gagnon (Jesse Bradford), Native American Ira Hayes (Adam Beach), the highly capable leader Sgt. Mike Strank (Barry Pepper), Hank Hansen (Paul Walker), Ralph "Iggy" Ignatowski (Jamie Bell), Harlan Block (Benjamin Walker) and Franklin Sousley (Joseph Cross).
Such is the carnage at the initial landing (the Americans suffered 2,000 casualties that first day alone) that there will be some temptation to compare the scene to current co-producer Steven Spielberg's justly celebrated D-Day invasion sequence in "Saving Private Ryan." But Eastwood does it his own way, impressively providing coherence 26 and chaos 27, awesome 28 panoramic 29 shots revealing the enormous armada and sudden spasms 30 of violence that with great simplicity 31 point up the utter arbitrariness of suffering and death in combat.
The visual scheme Eastwood developed for the picture is immediately arresting. Perhaps taking a cue from the island's black sand, as well as from WWII's status as the last war shot, from a filmic p.o.v., in black-and-white, pic is nearly as monochromatic 32 as anything shot in color can be. Dominated by blacks, grays and olive greens, cinematographer Tom Stern's images have a grave elegance 33, a drained quality that places the events cleanly in history without diminishing their startling immediacy.
On the fifth day of fighting, some Americans reach the summit where a great deal of the Japanese firepower is concentrated, and six Marines plant a small stars-and-stripes. Shortly after, a larger flag is sent up and, in an event only shown in the film considerably 34 later, six different men, Bradley, Gagnon and Hayes among them, responding to a photographer's half-joking question of, "O.K., guys, who wants to be famous?," put their muscle behind pushing up the new flag held in place by a heavy length of pipe.
At once, AP photographer Joe Rosenthal's shot became arguably the most iconic image of the American war. No faces were identifiable in the photo, leading to some confusion as to who was even in the shot, and three of them were killed soon after.
But the surviving three are spirited back to the mainland to spearhead a final war bonds drive. Bradley, Gagnon and Hayes are treated like gold-plated heroes everywhere, all the while being confronted by replicas 35 of the flag raising made of papier-mache or even ice cream.
Of the three, Gagnon embraces his sudden celebrity 36, gallivanting around with his fiancee and expecting great things to stem from it. Already haunted by the horrors he witnessed, Bradley copes in a subdued 37 way. But Hayes, whose story was dramatized onscreen in 1961 as "The Outsider" with Tony Curtis, of all people, portraying 38 the Pima Indian, can barely hold it together.
Feeling from the outset that their participation 39 in the tour is a "farce," that the real heroes are the guys who died or are still out there fighting, Hayes drinks heavily, embarrassing himself while having to stomach the everyday casual racism 40 of being called "chief" or being refused service.
And once they've done their bit raising billions for the government, they're left on their own to put their lives back together. It's not an easy road, particularly for Hayes, who in one moving, genuinely Fordian moment, treks 41 a long distance for a brief visit with the father of one of his fallen comrades.
Given this dramatic, wrenching 42 arc, Hayes' story becomes the heart of the movie, and Beach, who previously 43 played a Native American in the Pacific campaign in "Windtalkers," unquestionably takes the acting 44 honors with it, delivering a full sense of the character's pain and sense of entrapment 45 in an absurd situation. Other perfs are thoughtful, credible 46 and deliberately 47 unspectacular, although Pepper supplies special power as the leader the young men need as they come face to face with the enemy.
The director and editor Joel Cox find an effective and comfortable rhythm for the drama's parallel tracks. Spectacle is by no means limited to the battle scenes; one major setpiece is an enormous rally at Chicago's Soldier Field where the men are expected to scale a large model of Mount Suribachi and plant the flag. Perhaps the most felicitous 48 of the film's many outstanding visual effects is the elimination 49 of the recently built flying saucer-like addition to the venerable stadium.
The film's themes are so thoroughly 50 embodied 51 in the drama as it's told that there is no need for explicit 52 statement of them, which makes the final bit of narration 53 about the nation's need for heroes seem unnecessary. Another minor 54 flaw is a Hollywood backlot look to a couple of Chicago street scenes.
Otherwise, "Flags of Our Fathers" is exemplary in its physical aspects. Combination of exteriors 55 shot on the black beaches of Iceland with CGI work conveys a vivid and comprehensive feel of the godawfulness of Iwo Jima.
This and the forthcoming "Letters" represent the final work of the late, great production designer Henry Bumstead; no one could wish to go out on a better note. Pic is dedicated 56 to him and two others who died during production, Eastwood's longtime casting director Phyllis Huffman and flag-raising photographer Rosenthal.
The director himself composed the spare, effective musical score.
(Movie) February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest 1 battles of the war was the struggle for the island of Iwo Jima, which culminated 2 with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare 3 or glory. 'Flags of Our Fathers' is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company.
片名： Flags of Our Fathers
译名：父辈的旗帜
导演：克林特·伊斯特伍德 Clint Eastwood
主演：
瑞安·菲利普 Ryan Phillippe
本·沃克 Ben Walker
亚当·贝奇 Adam Beach
类型：剧情 Drama 战争 War
上映：2006年 10 月 20 日
地区：美国
出品：梦工厂 Dreamworks
Transcript 4 and Translation
You get it?
拍到啦？
I don't know. I wish we could have seen their faces.
我不知道，但愿能看清他们的脸
The right picture can win or lose a war.
好的照片能够决定战争的输赢
You're gonna want to see this!
你得瞧瞧这张照片
Now/no, this picture, people went crazy over it. Country was tired of the war. One photo, almost all on its own, turned that around.
的确这张照片令大家为之振奋。整个国家对这场战争已经厌倦。仅此一张照片便可扭转乾坤
We're clear ....go, go, go, go... move, move...
安全...快快快快... 冲啊冲啊...
And there is why they aren't shooting.
他们怎么都不开枪啊?
Maybe they are all dead.
或许他们都死光光了
What do you think, Deck? You think they are all dead?
戴克你觉得呢? 你认为他们都死光了?
Capt. Severance 5 asked me who else was in that picture.
思韦伦斯上校问我还有谁在那张照片
You told them that it was me?
你告诉他们我在其中了?
No.
没有
Then pick someone dead.
那就选个阵亡的将士吧
They don't want somebody dead, they wanna ship us back to the States. 他们并不需要阵亡的他们要将我们送回国内
Here are the Heros of Iwo Jima.
欢迎我们的硫磺岛英雄
Everybody wants to meet you guys, listen, simple things I want you to say, mostly, buy bonds
大家都想见到你们。听着，我最想和你们谈论的事情就是买国债
You know, I think this whole damn thing is a farce 6.
你知道么，在我看来，这简直就是一场闹剧
If we don't raise 14 billion dollars, this war is over by the end of the month.
如果我们筹集不到140亿美元月末这场战争就会结束
As far as us, being/in the Heros of Iwo Jima, that's just not the case. The real heros are dead on that island.
对于我们而言，被授予硫磺岛英雄称号，只是浪得虚名。真正的英雄已经长眠于那座岛屿
Knowing he was with you that day, and seeing him in that photograph, I don't know why it makes me feel better, but it does.
得知那一天他和你在一起，看着照片中的他，我不知道为何我感受好多了，真的
It's so silly?
是不是有点傻?
No, it's not.
不不是
I can't take them calling me a hero. Some of the things I saw them die, they want things to be proud of .
我无法承受他们称我为英雄，目睹他们的牺牲。他们应当倍感自豪
影片简介
1945年2月，虽然欧洲战场上的硝烟已经要接近尾声，但在太平洋战场的炮声还在继续。太平洋战场上的硫磺岛战役是一场极端惨烈的战役，短短一个月里先后有22000个日本人和26000个美国人战死。在经过了浴血战斗之后，最后美国人取得胜利，六个美国士兵将美国国旗插上硫磺岛最高点，胜利的旗帜将被永久的铭记！
在美国华盛顿广场上，树立着一座雕塑——在枪林弹雨中，六个美国士兵将一面美国国旗插上了硫磺岛最高点。那是美国二战历史中最标志性的一刻，而那些士兵们却从来没有想过能否成为英雄的问题，对于他们来说，那一刻只不过是战争的残酷、战友的手足之情、正义的反击和胜利的象征。铁骨铮铮的硬汉克林特·伊斯特伍德堪称是震撼人心的硫磺岛战役导演的不二人选，而继《百万美元宝贝》之后和金牌编剧保罗·哈吉斯再次合作也确保了父辈的旗帜会迎风飘扬。
电影评价
相比近年的同类作品《拯救大兵瑞恩》、《细细的红线》、《黑鹰坠落》、《我们是士兵》、《三王夺金》、《风语者》……，《父辈的旗帜》的最显著特点便是缺乏星光。无汤姆·汉克斯、西恩·潘、乔什·哈奈特、伊万·迈克格雷格、梅尔·吉普森、乔治·克鲁尼、尼古拉斯·凯奇之类的主演（当然，有明星未必票房俱佳），算是市场行情的负面因素。
不过，“同名原著小说的畅销＋导演、监制两位大人的知名度”，可视作对上述劣势的弥补。另外，尽管在10月发行战争片绝非主流，且“申奥作品”一旦评价未如预期便迅速降温，但奥利佛·斯通那部正反两论的《世贸中心》尚有7000万＄进账。因此，有理由相信"不碰新伤、只谈旧事"的《父辈的旗帜》卖得更好。
作为主旋律二战史诗，影片将再现太平洋战争的“人间地狱”硫磺岛战役。两万六千余名美军官兵阵亡换来的胜利，以6位士兵在萨瑞巴奇山顶插上星条旗的经典瞬间永在史册。本作以传奇照片为故事的起点，回朔残酷的硝烟，很早便被各界看好是本年度所有“奥斯卡企图”中最夺目的看点。参考"世界第一帅老头"伊斯特伍德大人的两部近作《神秘河》、《百万宝贝》，均入围奥斯卡最佳影片，票房也分别高达9000万＄和1亿＄。因此，品质同样值得期待的《父》，一定收获不菲。
Movie Review (电影评论)
Ambitiously tackling his biggest canvas to date, Clint Eastwood continues to defy and triumph over the customary expectations for a film career in "Flags of Our Fathers." A pointed 7 exploration of heroism 8 -- in its actual and in its trumped-up, officially useful forms -- the picture welds a powerful account of the battle of Iwo Jima, the bloodiest single engagement the United States fought in World War II, with an ironic 9 and ultimately sad look at its aftermath for three key survivors 10. This domestic Paramount 11 release looks to parlay critical acclaim 12 and its director's ever-increasing eminence 13 into strong B.O. returns through the autumn and probably beyond.
Conventional wisdom suggests directors slow down as they reach a certain age (Eastwood is now 76), become more cautious, recycle old ideas, fall out of step with contemporary tastes, look a bit stodgy 14. Eastwood has impertinently ignored these options not only by undertaking 15 by far his most expensive and logistically daunting 16 picture, but by creating back-to-back bookend features offering contrasting perspectives on the same topic; the Japanese-language "Letters From Iwo Jima," showing the Japanese side in intimate terms, will be released by Warner Bros. next year.
One way to think about "Flags" is as "The Man Who Shot Liberty Valance" of this generation. That 1962 John Ford 17 Western is famous for its central maxim 18, "When the legend becomes fact, print the legend," and "Flags" resonantly 19 holds the notion up to the light. It is also a film about the Greatest Generation that considers why its members are, or were, reticent 20 to speak much about what they did in the war, to boast or consider themselves heroes.
Skillfully structured script by William Broyles Jr. and Paul Haggis throws the audience into the harrowing action of the Iwo Jima invasion as a personal memory that can never be softened 21 or forgotten. But the brutal 22 fighting is eventually juxtaposed with the government's use of the celebrated 23 image of the Marines raising the flag on Mount Suribachi for propaganda and fund-raising, with scant 24 ultimate regard for the "heroes."
Reflecting its origins in the bestselling 2000 book by James Bradley (son of one of the central figures) with Ron Powers, tale is framed around a son's search into the wartime exploits of his father John Bradley, one of the six men pictured raising the flag. The I.D.ing and matching of some old-timers to their younger selves is never the easiest thing to do, and the same goes for getting all the names immediately straight for a bunch of young soldiers wearing identical uniforms and very short hair.
But the camera focuses on a handful of the 30,000 troops that landed on the inhospitable spec of volcanic 25 ash and tufa that is Iwo Jima on Feb. 19, 1945, to dislodge some 20,000 well-fortified Japanese.
Among the men are John "Doc" Bradley (Ryan Phillippe), the only Navy man in a group that otherwise includes Marines: Rene Gagnon (Jesse Bradford), Native American Ira Hayes (Adam Beach), the highly capable leader Sgt. Mike Strank (Barry Pepper), Hank Hansen (Paul Walker), Ralph "Iggy" Ignatowski (Jamie Bell), Harlan Block (Benjamin Walker) and Franklin Sousley (Joseph Cross).
Such is the carnage at the initial landing (the Americans suffered 2,000 casualties that first day alone) that there will be some temptation to compare the scene to current co-producer Steven Spielberg's justly celebrated D-Day invasion sequence in "Saving Private Ryan." But Eastwood does it his own way, impressively providing coherence 26 and chaos 27, awesome 28 panoramic 29 shots revealing the enormous armada and sudden spasms 30 of violence that with great simplicity 31 point up the utter arbitrariness of suffering and death in combat.
The visual scheme Eastwood developed for the picture is immediately arresting. Perhaps taking a cue from the island's black sand, as well as from WWII's status as the last war shot, from a filmic p.o.v., in black-and-white, pic is nearly as monochromatic 32 as anything shot in color can be. Dominated by blacks, grays and olive greens, cinematographer Tom Stern's images have a grave elegance 33, a drained quality that places the events cleanly in history without diminishing their startling immediacy.
On the fifth day of fighting, some Americans reach the summit where a great deal of the Japanese firepower is concentrated, and six Marines plant a small stars-and-stripes. Shortly after, a larger flag is sent up and, in an event only shown in the film considerably 34 later, six different men, Bradley, Gagnon and Hayes among them, responding to a photographer's half-joking question of, "O.K., guys, who wants to be famous?," put their muscle behind pushing up the new flag held in place by a heavy length of pipe.
At once, AP photographer Joe Rosenthal's shot became arguably the most iconic image of the American war. No faces were identifiable in the photo, leading to some confusion as to who was even in the shot, and three of them were killed soon after.
But the surviving three are spirited back to the mainland to spearhead a final war bonds drive. Bradley, Gagnon and Hayes are treated like gold-plated heroes everywhere, all the while being confronted by replicas 35 of the flag raising made of papier-mache or even ice cream.
Of the three, Gagnon embraces his sudden celebrity 36, gallivanting around with his fiancee and expecting great things to stem from it. Already haunted by the horrors he witnessed, Bradley copes in a subdued 37 way. But Hayes, whose story was dramatized onscreen in 1961 as "The Outsider" with Tony Curtis, of all people, portraying 38 the Pima Indian, can barely hold it together.
Feeling from the outset that their participation 39 in the tour is a "farce," that the real heroes are the guys who died or are still out there fighting, Hayes drinks heavily, embarrassing himself while having to stomach the everyday casual racism 40 of being called "chief" or being refused service.
And once they've done their bit raising billions for the government, they're left on their own to put their lives back together. It's not an easy road, particularly for Hayes, who in one moving, genuinely Fordian moment, treks 41 a long distance for a brief visit with the father of one of his fallen comrades.
Given this dramatic, wrenching 42 arc, Hayes' story becomes the heart of the movie, and Beach, who previously 43 played a Native American in the Pacific campaign in "Windtalkers," unquestionably takes the acting 44 honors with it, delivering a full sense of the character's pain and sense of entrapment 45 in an absurd situation. Other perfs are thoughtful, credible 46 and deliberately 47 unspectacular, although Pepper supplies special power as the leader the young men need as they come face to face with the enemy.
The director and editor Joel Cox find an effective and comfortable rhythm for the drama's parallel tracks. Spectacle is by no means limited to the battle scenes; one major setpiece is an enormous rally at Chicago's Soldier Field where the men are expected to scale a large model of Mount Suribachi and plant the flag. Perhaps the most felicitous 48 of the film's many outstanding visual effects is the elimination 49 of the recently built flying saucer-like addition to the venerable stadium.
The film's themes are so thoroughly 50 embodied 51 in the drama as it's told that there is no need for explicit 52 statement of them, which makes the final bit of narration 53 about the nation's need for heroes seem unnecessary. Another minor 54 flaw is a Hollywood backlot look to a couple of Chicago street scenes.
Otherwise, "Flags of Our Fathers" is exemplary in its physical aspects. Combination of exteriors 55 shot on the black beaches of Iceland with CGI work conveys a vivid and comprehensive feel of the godawfulness of Iwo Jima.
This and the forthcoming "Letters" represent the final work of the late, great production designer Henry Bumstead; no one could wish to go out on a better note. Pic is dedicated 56 to him and two others who died during production, Eastwood's longtime casting director Phyllis Huffman and flag-raising photographer Rosenthal.
The director himself composed the spare, effective musical score.
1 bloodiest
adj.血污的( bloody的最高级 )；流血的；屠杀的；残忍的
- The Russians were going to suffer their bloodiest defeat of all before Berlin. 俄国人在柏林城下要遭到他们的最惨重的失败。 来自辞典例句
- It was perhaps the bloodiest hour in the history of warfare. 这也许是战争史上血腥味最浓的1个小时。 来自互联网
2 culminated
v.达到极点( culminate的过去式和过去分词 )
- a gun battle which culminated in the death of two police officers 一场造成两名警察死亡的枪战
- The gala culminated in a firework display. 晚会以大放烟火告终。 来自《简明英汉词典》
3 fanfare
n.喇叭；号角之声；v.热闹地宣布
- The product was launched amid much fanfare worldwide.这个产品在世界各地隆重推出。
- A fanfare of trumpets heralded the arrival of the King.嘹亮的小号声宣告了国王驾到。
4 transcript
n.抄本，誊本，副本，肄业证书
- A transcript of the tapes was presented as evidence in court.一份录音带的文字本作为证据被呈交法庭。
- They wouldn't let me have a transcript of the interview.他们拒绝给我一份采访的文字整理稿。
5 severance
n.离职金；切断
- Those laid off received their regular checks,plus vacation and severance pay.那些被裁的人都收到他们应得的薪金，再加上假期和解职的酬金。Kirchofer was terminated,effective immediately--without severance or warning.科奇弗被解雇了，立刻生效--而且没有辞退费或者警告。
6 farce
n.闹剧，笑剧，滑稽戏；胡闹
- They played a shameful role in this farce.他们在这场闹剧中扮演了可耻的角色。
- The audience roared at the farce.闹剧使观众哄堂大笑。
7 pointed
adj.尖的，直截了当的
- He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
- She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。
8 heroism
n.大无畏精神，英勇
- He received a medal for his heroism.他由于英勇而获得一枚奖章。
- Stories of his heroism resounded through the country.他的英雄故事传遍全国。
9 ironic
adj.讽刺的，有讽刺意味的，出乎意料的
- That is a summary and ironic end.那是一个具有概括性和讽刺意味的结局。
- People used to call me Mr Popularity at high school,but they were being ironic.人们中学时常把我称作“万人迷先生”，但他们是在挖苦我。
10 survivors
幸存者，残存者，生还者( survivor的名词复数 )
- The survivors were adrift in a lifeboat for six days. 幸存者在救生艇上漂流了六天。
- survivors clinging to a raft 紧紧抓住救生筏的幸存者
11 paramount
a.最重要的，最高权力的
- My paramount object is to save the Union and destroy slavery.我的最高目标是拯救美国，摧毁奴隶制度。
- Nitrogen is of paramount importance to life on earth.氮对地球上的生命至关重要。
12 acclaim
v.向…欢呼，公认；n.欢呼，喝彩，称赞
- He was welcomed with great acclaim.他受到十分热烈的欢迎。
- His achievements earned him the acclaim of the scientific community.他的成就赢得了科学界的赞誉。
13 eminence
n.卓越，显赫；高地，高处；名家
- He is a statesman of great eminence.他是个声名显赫的政治家。
- Many of the pilots were to achieve eminence in the aeronautical world.这些飞行员中很多人将会在航空界声名显赫。
14 stodgy
adj.易饱的；笨重的；滞涩的；古板的
- It wasn't easy to lose puppy fat when Mum fed her on stodgy home cooking.母亲给她吃易饱的家常菜，她想减掉婴儿肥可是很难。
- The gateman was a stodgy fellow of 60.看门人是个六十岁的矮胖子。
15 undertaking
n.保证，许诺，事业
- He gave her an undertaking that he would pay the money back with in a year.他向她做了一年内还钱的保证。
- He is too timid to venture upon an undertaking.他太胆小，不敢从事任何事业。
16 daunting
adj.使人畏缩的
- They were faced with the daunting task of restoring the house.他们面临着修复房子的艰巨任务。
- Starting a new job can be a daunting prospect.开始一项新工作有时会让人望而却步。
17 Ford
n.浅滩，水浅可涉处；v.涉水，涉过
- They were guarding the bridge,so we forded the river.他们驻守在那座桥上，所以我们只能涉水过河。
- If you decide to ford a stream,be extremely careful.如果已决定要涉过小溪，必须极度小心。
18 maxim
n.格言，箴言
- Please lay the maxim to your heart.请把此格言记在心里。
- "Waste not,want not" is her favourite maxim.“不浪费则不匮乏”是她喜爱的格言。
19 resonantly
adv.共鸣地，反响地
- Richly scanted dark berry and plum aroma with complex fruitcake, richness and resonantly depth. 浓郁的黑浆果和李子的香味混合糕饼的香味。 来自互联网
- The cow carries on the back boy's piccolo, this time also day long in resonantly sound. 牛背上牧童的短笛，这时候也成天在嘹亮地响。 来自互联网
20 reticent
adj.沉默寡言的；言不如意的
- He was reticent about his opinion.他有保留意见。
- He was extremely reticent about his personal life.他对自己的个人生活讳莫如深。
21 softened
（使）变软( soften的过去式和过去分词 )； 缓解打击； 缓和； 安慰
- His smile softened slightly. 他的微笑稍柔和了些。
- The ice cream softened and began to melt. 冰淇淋开始变软并开始融化。
22 brutal
adj.残忍的，野蛮的，不讲理的
- She has to face the brutal reality.她不得不去面对冷酷的现实。
- They're brutal people behind their civilised veneer.他们表面上温文有礼，骨子里却是野蛮残忍。
23 celebrated
adj.有名的，声誉卓著的
- He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
- The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。
24 scant
adj.不充分的，不足的；v.减缩，限制，忽略
- Don't scant the butter when you make a cake.做糕饼时不要吝惜奶油。
- Many mothers pay scant attention to their own needs when their children are small.孩子们小的时候，许多母亲都忽视自己的需求。
25 volcanic
adj.火山的；象火山的；由火山引起的
- There have been several volcanic eruptions this year.今年火山爆发了好几次。
- Volcanic activity has created thermal springs and boiling mud pools.火山活动产生了温泉和沸腾的泥浆池。
26 coherence
n.紧凑；连贯；一致性
- There was no coherence between the first and the second half of the film.这部电影的前半部和后半部没有连贯性。
- Environmental education is intended to give these topics more coherence.环境教育的目的是使这些课题更加息息相关。
27 chaos
n.混乱，无秩序
- After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
- The typhoon left chaos behind it.台风后一片混乱。
28 awesome
adj.令人惊叹的，难得吓人的，很好的
- The church in Ireland has always exercised an awesome power.爱尔兰的教堂一直掌握着令人敬畏的权力。
- That new white convertible is totally awesome.那辆新的白色折篷汽车简直棒极了.
29 panoramic
adj. 全景的
- Most rooms enjoy panoramic views of the sea. 大多数房间都能看到海的全景。
- In a panoramic survey of nature, speed is interesting because it has a ceiling. 概观自然全景，速率是有趣的，因为它有一个上限。
30 spasms
n.痉挛( spasm的名词复数 )；抽搐；（能量、行为等的）突发；发作
- After the patient received acupuncture treatment,his spasms eased off somewhat. 病人接受针刺治疗后，痉挛稍微减轻了。 来自《简明英汉词典》
- The smile died, squeezed out by spasms of anticipation and anxiety. 一阵阵预测和焦虑把她脸上的微笑挤掉了。 来自辞典例句
31 simplicity
n.简单，简易；朴素；直率，单纯
- She dressed with elegant simplicity.她穿着朴素高雅。
- The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。
32 monochromatic
adj.单色的，一色的
- The resolution of white light into its separate monochromatic components is called dispersion.这种白光分解为各单色成分的现象叫做色散。
- My sister selected a monochromatic color-scheme for her new apartment.我妹妹为自己的新居选择了单一色调的设计。
33 elegance
n.优雅；优美，雅致；精致，巧妙
- The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
- John has been known for his sartorial elegance.约翰因为衣着讲究而出名。
34 considerably
adv.极大地；相当大地；在很大程度上
- The economic situation has changed considerably.经济形势已发生了相当大的变化。
- The gap has narrowed considerably.分歧大大缩小了。
35 replicas
n.复制品( replica的名词复数 )
- His hobby is building replicas of cars. 他的爱好是制作汽车的复制品。 来自《简明英汉词典》
- The replicas are made by using a thin film of fusible alloy on a stiffening platen. 复制是用附着在加强托板上的可熔合金薄膜实现的。 来自辞典例句
36 celebrity
n.名人，名流；著名，名声，名望
- Tom found himself something of a celebrity. 汤姆意识到自己已小有名气了。
- He haunted famous men, hoping to get celebrity for himself. 他常和名人在一起, 希望借此使自己获得名气。
37 subdued
v.画像( portray的现在分词 )；描述；描绘；描画
- The artist has succeeded in portraying my father to the life. 那位画家把我的父亲画得惟妙惟肖。 来自《简明英汉词典》
- Ding Ling was good at portraying figures through careful and refined description of human psychology. 《莎菲女士的日记》是丁玲的成名作，曾引起强烈的社会反响。 来自汉英文学 - 中国现代小说
38 participation
n.参与，参加，分享
- Some of the magic tricks called for audience participation.有些魔术要求有观众的参与。
- The scheme aims to encourage increased participation in sporting activities.这个方案旨在鼓励大众更多地参与体育活动。
39 racism
n.民族主义；种族歧视(意识)
- He said that racism is endemic in this country.他说种族主义在该国很普遍。
- Racism causes political instability and violence.种族主义道致政治动荡和暴力事件。
40 treks
n.远距离行走 ( trek的名词复数 )；长途跋涉，艰难的旅程（尤指在山区）v.艰苦跋涉，徒步旅行( trek的第三人称单数 )；（尤指在山中）远足，徒步旅行，游山玩水
- And visiting companies and completing job treks are becoming much more important in the job search. 参观公司、进行实地考察在找工作中变得重要得多。 来自互联网
- These range from treks around Mont an ascent of North Africa's highest mountain, Mount Toubkal. 参与者是徒步绕勃朗峰，然后攀登北非最高峰托布卡尔山。 来自互联网
41 wrenching
n.修截苗根，苗木铲根（铲根时苗木不起土或部分起土）v.（猛力地）扭( wrench的现在分词 )；扭伤；使感到痛苦；使悲痛
- China has been through a wrenching series of changes and experiments. 中国经历了一系列艰苦的变革和试验。 来自辞典例句
- A cold gust swept across her exposed breast, wrenching her back to reality. 一股寒气打击她的敞开的胸膛，把她从梦幻的境地中带了回来。 来自汉英文学 - 家（1-26） - 家（1-26）
42 previously
adv.以前，先前（地）
- The bicycle tyre blew out at a previously damaged point.自行车胎在以前损坏过的地方又爆开了。
- Let me digress for a moment and explain what had happened previously.让我岔开一会儿，解释原先发生了什么。
43 acting
n.演戏，行为，假装；adj.代理的，临时的，演出用的
- Ignore her,she's just acting.别理她，她只是假装的。
- During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。
44 entrapment
n.（非法）诱捕，诱人犯罪；诱使犯罪
- The most common structural targets associated with oil entrapment are anticlines and faults. 与储油圈闭有关的最一般的构造目标是背斜和断层。 来自辞典例句
- The purely mechanical effect of glandular trichome exudates is the entrapment and immobilization of small arthropods. 具腺毛状体分泌物的纯机械作用是诱捕和粘住小的昆虫。 来自辞典例句
45 credible
adj.可信任的，可靠的
- The news report is hardly credible.这则新闻报道令人难以置信。
- Is there a credible alternative to the nuclear deterrent?是否有可以取代核威慑力量的可靠办法？
46 deliberately
adv.审慎地；蓄意地；故意地
- The girl gave the show away deliberately.女孩故意泄露秘密。
- They deliberately shifted off the argument.他们故意回避这个论点。
47 felicitous
adj.恰当的，巧妙的；n.恰当，贴切
- She played him--sometimes delicately,sometimes with a less felicitous touch.她吊着他--有时温柔地，有时手法就不那么巧妙。
- You need to handle the delicate matter in a most felicitous manner.你需要用得体的方式处理这件微妙的事。
48 elimination
n.排除，消除，消灭
- Their elimination from the competition was a great surprise.他们在比赛中遭到淘汰是个很大的意外。
- I was eliminated from the 400 metres in the semi-finals.我在400米半决赛中被淘汰。
49 thoroughly
adv.完全地，彻底地，十足地
- The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
- The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。
50 embodied
v.表现( embody的过去式和过去分词 )；象征；包括；包含
- a politician who embodied the hopes of black youth 代表黑人青年希望的政治家
- The heroic deeds of him embodied the glorious tradition of the troops. 他的英雄事迹体现了军队的光荣传统。 来自《简明英汉词典》
51 explicit
adj.详述的，明确的；坦率的；显然的
- She was quite explicit about why she left.她对自己离去的原因直言不讳。
- He avoids the explicit answer to us.他避免给我们明确的回答。
52 narration
n.讲述，叙述；故事；记叙体
- The richness of his novel comes from his narration of it.他小说的丰富多采得益于他的叙述。
- Narration should become a basic approach to preschool education.叙事应是幼儿教育的基本途径。
53 minor
adj.较小(少)的，较次要的；n.辅修学科；vi.辅修
- The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
- I gave him a minor share of my wealth.我把小部分财产给了他。