时间:2019-01-30 作者:英语课 分类:英语语法 Grammar Girl


英语课

Grammar Girl here.


This is a podcast that talks about writing, but today we're going to turn that order around and talk about podcasting that writing of yours.


Whether you write fiction or non-fiction, children’s stories or tales for adults, podcasting your work is a great way to share it with the world. If you want to get your work out there, you don’t have to wait for a publishing deal, and you don’t have to find a print-on-demand service. Podcast it, and you instantly make it available to a global audience of the estimated one billion people who access the Internet.


Some authors have had success podcasting their work. I wouldn't have been able to write a New York Times bestseller without first podcasting my work. Author J.C. Hutchins’ free podcast novels landed him a publishing deal with St. Martin’s Press, and he'll have two action-adventure books out in 2009. And you may have heard me talk about Scott Sigler, who podcasted his way to a five-book deal with Crown Publishing. Scott’s second hardcover book, Contagious 1, is available for pre-order now and will be in stores on December 30. So yes, this does work, and it can happen, but it’s not easy. In this episode, Scott graciously provided ten steps that can put you on the road to creating a successful podcast for your book.


So here are Scott's tips for how to podcast your book:


Step 1: Finish your book.


There is a great temptation to podcast your book as you write it. Unless you are a seasoned writer with four or five books under your belt, I'd advise against that. Once you post an episode, that’s it -- you can’t go back and change a plot point. If Uncle Ralphie died in episode two, and you decide he needs to be alive in episode four, you’re out of luck. Finish the book, make sure your plot points and your factual references line up, and then worry about podcasting it.


Step 2: Edit your book.


There's an even greater temptation to podcast your book as soon as you finish it. Again, bad call. Start editing. Get through one full edit, really tear it up. If you are in a hurry to start podcasting, get a couple of friends who will give honest feedback and have them proof it. You may have missed simple plot points or created character inconsistencies. And trust me, your listeners will not miss these problems. You'll get email messages and blog comments about these mistakes. Scott describes his podcasting process as having 10,000 editors, so take the time to make the book as tight as it can be before you start. You only get one chance to make a first impression.


Step 3: Record an entire test episode.


Create your show intro and outro, practice talking to the audience, and record a first 15-to-20-minute episode. Put all those things together so you have a finished, polished episode. Then, find podcast novelists to listen to and review your work. Be prepared – he or she will probably have criticism. This criticism will improve your work; use it to modify your recording 2 process. Better to make the mistakes in a test episode than have your first few real episodes full of simple errors and bad sound. Throw that test episode away, and then start over. This also gives you practice editing your audio recordings 3, which will benefit you in the long run.


Step 4: Record the entire book first.


This is a major task, but it leads into Step 5, which is podcast every week. Life will mess with your schedule no matter how carefully you plan. Your best bet is to record the entire book, one chapter at a time, and finish the whole thing before you begin podcasting. That way, no matter what happens in your life, you'll probably be able to put out an episode every week. If you record as you go, it’s guaranteed you’re going to miss weeks.


Step 5: Be consistent: podcast every week.


That’s part of why you want to finish your book in Step 1, and why you record the whole thing in Step 4. You build audience numbers by providing consistent content. What the online world teaches us is that there are many different tastes out there -- what you think is horrible writing, someone else thinks is excellent, informative 4, and entertaining. There's an audience for everyone, but to get that audience, you need to provide consistent content. If people know they'll hear your work every Sunday, for example, you become a part of their weekly entertainment. Miss an episode, and the audience starts to fade away. Even if you have to post a short episode of 10 to 15 minutes, that's far better than missing a whole week.


Step 6: Post four episodes before promoting.


If you know about Scott’s tireless promotional efforts, this may sound strange, but he’s learned this step from his work and from helping 5 others with theirs. Don’t lift a finger to promote your podcast until you have four episodes up on your site. When people hear about you from another podcaster, or hear your promo (see Step 8 below), they'll go to your site. When they get there, they want to listen to the book -- they don’t want to look at your website, read endorsement 6 blurbs 7, or hear how awesome 8 your book is going to be. They want to start listening. Posting four episodes means they have a lot of free content to consume before they decide they don’t like your book. If you have just one episode up, they might not be hooked on the story, and might not come back. After four episodes, they're either hooked, or you're just not their thing.


Step 7: Promote, promote, promote!


If you want to build audience, you have to let people know your book is available. In the early days of podcasting books, you could get lucky and land coverage 9 in a magazine or a newspaper. Those days are gone. You will have to budget time to promote your work online. I know, you’re writing, you have a job, and maybe kids or a dog. When are you going to find time to promote? That’s the hurdle 10 every author faces, and if you want to be successful, you just have to get it done.


Step 8: Create an audio promo.


This is your calling card to existing podcast audiences. Create a 30-second and 60-second promo for your work. Think of how they advertise movies or do 30-second commercials -- tell people what your book is about, and where they can listen to it. I’ll play Scott’s promo for his new book Contagious at the end of this podcast as an example.


Okay, you’ve got your promo, now start sending email messages to other people with similar podcasts, and ask them to play it. Don’t be shy, the podcasting community is very supportive. If you have an action-adventure story, you’re better off asking Scott to play your promo than asking, say, me. Find podcasts that have an audience who would like your stuff. It’s really just that simple. The best way to land new podcast listeners is to find people who already listen to podcasts.


Step 9: Promote with social media.


This is too extensive to go into details here, but start playing with MySpace, Facebook, and Twitter. These are three simple online tools you can use to create a presence for your book. You're an author, so make sure your profiles on these sites reflect that fact. Start adding friends and participating in the online conversation. The more you play in this space, the more people know about your work. Eventually, this becomes an exponential increase in exposure as those people tell other people, and so on. Yes, it takes time, but it’s also a lot of fun.


Step 10: Keep writing and podcasting.


Unfortunately, one book isn't enough. You need to find a way to keep providing content in your podcast feed for years to come. It doesn’t have to be another book, but it should be similar content to your book. If you generate an audience with a detective novel, don’t think that audience wants to consistently hear your views on politics. The longer you provide consistent content, the larger your audience will grow.


You can find a transcript 11 of this podcast, my contact information, and all the other great Quick and Dirty Tips podcasts at quickanddirtytips.com.



adj.传染性的,有感染力的
  • It's a highly contagious infection.这种病极易传染。
  • He's got a contagious laugh.他的笑富有感染力。
n.录音,记录
  • How long will the recording of the song take?录下这首歌得花多少时间?
  • I want to play you a recording of the rehearsal.我想给你放一下彩排的录像。
n.记录( recording的名词复数 );录音;录像;唱片
  • a boxed set of original recordings 一套盒装原声录音带
  • old jazz recordings reissued on CD 以激光唱片重新发行的老爵士乐
adj.提供资料的,增进知识的
  • The adverts are not very informative.这些广告并没有包含太多有用信息。
  • This intriguing book is both thoughtful and informative.这本引人入胜的书既有思想性又富知识性。
n.食物的一份&adj.帮助人的,辅助的
  • The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
  • By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。
n.背书;赞成,认可,担保;签(注),批注
  • We are happy to give the product our full endorsement.我们很高兴给予该产品完全的认可。
  • His presidential campaign won endorsement from several celebrities.他参加总统竞选得到一些社会名流的支持。
n.(尤指印在书籍等护封上的)简介,推荐广告( blurb的名词复数 )
  • The author got all his friends to write blurbs for his book. 这位作者让他所有的朋友给他的新书写了广告式的短评。 来自互联网
  • Blurbs, Admonitions and table cells (see Tables) may now contain paragraphs. 短评、警告和表格单元(见表格)现在可以包含段落。 来自互联网
adj.令人惊叹的,难得吓人的,很好的
  • The church in Ireland has always exercised an awesome power.爱尔兰的教堂一直掌握着令人敬畏的权力。
  • That new white convertible is totally awesome.那辆新的白色折篷汽车简直棒极了.
n.报导,保险范围,保险额,范围,覆盖
  • There's little coverage of foreign news in the newspaper.报纸上几乎没有国外新闻报道。
  • This is an insurance policy with extensive coverage.这是一项承保范围广泛的保险。
n.跳栏,栏架;障碍,困难;vi.进行跨栏赛
  • The weather will be the biggest hurdle so I have to be ready.天气将会是最大的障碍,所以我必须要作好准备。
  • She clocked 11.6 seconds for the 80 metre hurdle.八十米跳栏赛跑她跑了十一秒六。
n.抄本,誊本,副本,肄业证书
  • A transcript of the tapes was presented as evidence in court.一份录音带的文字本作为证据被呈交法庭。
  • They wouldn't let me have a transcript of the interview.他们拒绝给我一份采访的文字整理稿。
学英语单词
A-bus
aerifier
aerobacteriological
air-drop automatic station
alib
antimony oxyhydroxysulfate
Apollinopolis
aqueous-favoring
ariseth
arouse the displeasure of
bela
bisulfide (disulfide)
blowdown valve
buying checklist
cascade reservoir
catalysis converter
cecidopsylla spinosa
chevalier
cohesive element
committee of selection
conditional mutant
crymell
cut into sth
cycloparaffin resin
cyclosorus liukiuensis
devil ray
double entry bookkeeping
drilling fluid pot
eczema serpinginosum
edible fats
effective peak number
electromagnetic wave scattering
environmental injury
EOFs
ethyl nitroacetate
excuss
exinous
frequency spread
high speed slow-scanning oscillograph
indicated lamp
interrupted gene
jahveh
jalapen
jube
juniperus communis depressas
leaderstone
lift off a seat
lipochondroma
low-conductivity coating
magnetodielectric
maurice de vlamincks
measure of performance
medero
method of financing
modified radical mastectomies
mohwa tree
mould life
mouth sore
Native Yield
natural join system
NIC (Nuclear Information Centre)
novacine
Now you're talking.
NYd
open sealed tender
organo-siloxane
overlay board
Pegia sarmentosa
pesterous
plane force system
pound a beat
power reels
proliferative glomerulonephritis
Purān
put the moves on
rabbit-myxoma virus
relative surplus
royal household
salcalcitonin
salt-water encroachment
sands down
sardos
seafish
self-capacitance
self-similar antenna
sergt.
set something against
sharedealing
single acting atomizer
straight line characteristic
superface
syndactylisms
ta t? wu
technology of hull construction
the open
think of the children
trail along behind
unctcs
velocity traverse
view halloo
went five-hole
worksheet to prorate service department costs