时间:2019-01-30 作者:英语课 分类:英语语法 Grammar Girl


英语课

Grammar Girl here. Today's topic is how to write your first novel.


Since you’re listening to this podcast, you probably love the English language and the written word. And if you do, you probably have an itch 1 to write that first novel. Well, you're not alone. The dream of writing a novel, either for personal satisfaction or to make money, has been prevalent in our culture for decades, if not centuries.


So, with five novels under his belt, Scott Sigler knows how to get it done. His advice for you is surprisingly simple, and slightly disturbing. Here's his five-step plan.


Step 1: Write every day

Step 2: Write a bad book first

Step 3: Finish the bad book, then put it away for six months

Step 4: Start writing your “good” book

Step 5: After six months, read that “bad” book, learn where you're weak, and address those weak areas.

 


Step 1: Write every day


Is that impossible? Probably for most of us, but you need to try. Schedule the time, at least an hour. It'll take prioritization to make it happen, but if you really want to write that novel, it’s what you have to do. Writing is like building any other skill, like building muscles – the more you do it, the better you get, the stronger you get.


Step 2: Write a bad book first


Why write a bad book? Because a bad story is easier to write than a good story, and the goal here is to teach yourself that you can finish a novel. There is power in finishing, and here’s why:


Many people set out to write a novel. They outline, they plan, they start with best intentions, but when they get to their first major writing roadblock, the majority of them quit. Why? Because writing a novel is hard. People become so invested in their story, so passionate 2 about it, that when they hit the difficult part they don’t know how to get around it. They get frustrated 3, and they quit.


However, if you set out to write a “bad” novel, when you get to that sticky part all writers hit, you can just power through. Bring in a guy with a gun. Whip up a betrayal. Beam in an alien. Anything to move the story forward and keep you writing. The goal isn’t to win a Pulitzer prize, the goal is to finish the book.


Step 3: Finish the bad book and put it away for six month


Just finishing the book puts you at the top of the class of most aspiring 4 novelists. Once you're finished, put that novel away and don’t look at it, not even a peek 5, for six months. Don’t let anyone read it. Not even your significant other. Trust me on this, just leave it the heck alone. Even though you set out to write a bad novel, odds 6 are your human nature will kick in and you’ll secretly think you’re pretty darn talented. But trust me, put it away. Don’t peek. If you’re right, and it actually is good, you’ll find out in six months.


Step 4: Start writing your good book


Now, while your bad book is incubating in cold storage, start your second book, your real book. What you’ll find is that it’s easier the second time around. You’ve got experience writing a novel, the words will come a little faster, the plot will flow a little better. You’ve built up those writing muscles; the reps come with less teeth-gnashing effort. And here’s the kicker – when you hit that difficult spot, when you get stuck, when you’re frustrated and it seems too hard to continue, you will continue, because the little voice in the back of your head says you’ve done this before, you know you can finish a novel.


Remember when I said finishing the bad book gives you power? This is that power in action.


Step 5: Read that “bad” book, learn where you are weak, and correct those areas.


So you’re working on your second book, your real book, and you think you’re pretty hot stuff. It’s okay, you’re among friends, you can admit it – deep down you think you’re the next big thing. Keep on thinking that until the six months is up.


After six months, pull out your first manuscript and read. The moratorium 7 was there so you could forget what you thought you said on the page, and see what the page actually says. This will give you an experience almost identical to that of any reader. What you find here will shock and disturb you. Are you really that bad of a writer? Yes, you are. However, you’re almost in the home stretch. Read the bad book, and pay attention to the areas where you're really horrible. Run-on sentences? Flat characters? Stilted 8 dialogue? Twenty-three pages where nothing happens? This is your boot camp, soldier. The things you learn from reading your own writing, after you forgot what you were trying to say, will do more to build your skill than all the writing classes in the world combined. It’s magic, because this isn’t a Dick & Jane example, these are your words, your writing style. Find your weakest spots, and you attack them. Learn how to break up the sentences. Spend more time developing a dynamic character. Make dialogue that sounds like real people having a conversation.


This process will shed immense amounts of writing fat, the stuff that you don’t need to tell the story. It’s also an ego-check that will eventually benefit your reader – now that you know how painful it is to read fatty work, you won’t want to expose another human being to the same painful ordeal 9.


Congratulations! Now you’re writing for the reader, not writing to hear yourself talk.


Step 6: Repeat


Finish that second book. It’s much better, isn’t it? Finish it, then go back to page one and start editing the heck out of it. The second book is actually your first novel. I suggest re-writing it, from cover to cover, at least three times before you let anyone – even the aforementioned significant other – take a peek. Guess what? Now you’re a writer! Keep building those muscles, keep writing, keep getting better. Most people don’t land a publishing deal until they’ve written three or four full novels, so don’t get discouraged. This process takes time, but when you print off that finished novel and hold the pages in your hands, it is one of life’s great experiences.


Administrative 10 Stuff


You can find a transcript 11 of this podcast, my contact information, and all the other great Quick and Dirty Tips podcasts at quickanddirtytips.com.


 



n.痒,渴望,疥癣;vi.发痒,渴望
  • Shylock has an itch for money.夏洛克渴望发财。
  • He had an itch on his back.他背部发痒。
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的
  • He is said to be the most passionate man.据说他是最有激情的人。
  • He is very passionate about the project.他对那个项目非常热心。
adj.挫败的,失意的,泄气的v.使不成功( frustrate的过去式和过去分词 );挫败;使受挫折;令人沮丧
  • It's very easy to get frustrated in this job. 这个工作很容易令人懊恼。
  • The bad weather frustrated all our hopes of going out. 恶劣的天气破坏了我们出行的愿望。 来自《简明英汉词典》
adj.有志气的;有抱负的;高耸的v.渴望;追求
  • Aspiring musicians need hours of practice every day. 想当音乐家就要每天练许多小时。
  • He came from an aspiring working-class background. 他出身于有抱负的工人阶级家庭。 来自辞典例句
vi.偷看,窥视;n.偷偷的一看,一瞥
  • Larry takes a peek out of the window.赖瑞往窗外偷看了一下。
  • Cover your eyes and don't peek.捂上眼睛,别偷看。
n.让步,机率,可能性,比率;胜败优劣之别
  • The odds are 5 to 1 that she will win.她获胜的机会是五比一。
  • Do you know the odds of winning the lottery once?你知道赢得一次彩票的几率多大吗?
n.(行动、活动的)暂停(期),延期偿付
  • The government has called for a moratorium on weapons testing.政府已要求暂停武器试验。
  • We recommended a moratorium on two particular kinds of experiments.我们建议暂禁两种特殊的实验。
adj.虚饰的;夸张的
  • All too soon the stilted conversation ran out.很快这种做作的交谈就结束了。
  • His delivery was stilted and occasionally stumbling.他的发言很生硬,有时还打结巴。
n.苦难经历,(尤指对品格、耐力的)严峻考验
  • She managed to keep her sanity throughout the ordeal.在那场磨难中她始终保持神志正常。
  • Being lost in the wilderness for a week was an ordeal for me.在荒野里迷路一星期对我来说真是一场磨难。
adj.行政的,管理的
  • The administrative burden must be lifted from local government.必须解除地方政府的行政负担。
  • He regarded all these administrative details as beneath his notice.他认为行政管理上的这些琐事都不值一顾。
n.抄本,誊本,副本,肄业证书
  • A transcript of the tapes was presented as evidence in court.一份录音带的文字本作为证据被呈交法庭。
  • They wouldn't let me have a transcript of the interview.他们拒绝给我一份采访的文字整理稿。
学英语单词
98
acidity
aerosol food
afghanistani
alloy irons
antibiolumphin
ashpan blower valve
automatic assembly
avi cable
bakeout degassing clamp
birchleaf pear
body-curved disease
bodywood
bottom relief map
Bozeman's position
bridge cloth
bullock blocks
bushing electric
call accepted signal
chondriomere
Cirbanal
close set
color constants
comebackers
commodity wastage
correptions
courier bag
Cunaxa
departmentation by process or equipment
electronic fire-control equipment
element name
encoded fields
end of astronomical evening twilight
engine pod
ensampling
epss network
featurism
ferret distemper virus
fiber-map
full electronic switching
gallucci
general-purpose diagnostic program
geographical north
geospatial engineering
glowfly
haberse
hardware stage
hexagonal mirror
hot penetration construction
Hudsonian godwit
Immobilon
interstitial distance (mather 1936)
investigation on audience
Krasnaya Polyana
layer-wound solenoid
leather loader
limestone neutralization treatment
maximal tubular excretory capacity
melanedema
natural rate of unemployment
nerr
non-coplanar transfer
norvasc
nosedives
OMR (optical mark reader)
optically positive
over bridges
partner with
Pashtunwali
patung series
paving stone degeneration of retina
permanent magnet moving coil meter
pivoted bucket carrier
plantar spaces
plunged into
prince fumimaro konoyes
prodan
psychoanalytical theory
Pterocles
pyrophoric lead
raw material of woodcharcaol
roller chamfer
schwab
Scythians
sequentially-lobed radar
signal smoke
signe de peau d'orange
slugft
So it goes
sp vol
spin space
Stackelberg decision theory
swansea
tandem electrostatic generator
terry swatch
the leaflets of the trifoliolate leaves
topochemical control
variable acceptance sampling
viscosity model
Warenford
weighing-appliance
zeomorphis