时间:2019-01-17 作者:英语课 分类:2016年NPR美国国家公共电台10月


英语课

For Fashion Designer Christian 1 Siriano, No Size Is Out Of Style


play pause stop mute unmute max volume 00:0006:05repeat repeat off Update Required To play the media you will need to either update your browser 2 to a recent version or update your Flash plugin. AUDIE CORNISH, HOST: 


Christian Siriano has been designing clothes since he was a teenager. He's 31 now, and he's built his company making clothes for women of all shapes and sizes. And right now he's having more than a moment.


Christian Siriano is shaking up the world of high fashion. Michelle Obama wore one of his dresses to the Democratic National Convention. He dressed nine stars for the Emmys spanning races, ages and body shapes, from Kathy Bates to Angela Bassett.


CHRISTIAN SIRIANO: It just was really exciting. I was, like, this is what I mean. This is what I'm talking about. It's going to be so great that on one red carpet night you're going to see one designer brand that can, like, really highlight all these women. It's so much more fun.


ARI SHAPIRO, HOST: 


Christian Siriano's show for New York Fashion Week featured five plus-size models, and off the red carpet, he has a clothing line with Lane Bryant, the national chain for plus-size women. Christian Siriano told me that his inclusive approach to fashion goes back to the women in his family.


SIRIANO: You know, I had my mom, who was, you know, super fashionable and - but my mom was a size 16 growing up. And my sister was really into clothes but a size zero. So I had this really interesting world always around me. And then, yeah, like, my first adventure into the business, you know, we just had every size customer coming, asking for things. So it just felt very normal from, like, day one in the company.


SHAPIRO: Well, I wonder how much of it is commercial, you know?


SIRIANO: Yeah.


SHAPIRO: This is a large population of women who buy clothes. If you want to make money selling clothes, sell to those women.


SIRIANO: Yeah, literally 3 that's just what I thought, especially for, like, a young designer who's, you know, competing with massive brands. You have to kind of find what works for you, you know? And what works for me is celebrating everybody and having something for that every customer.


SHAPIRO: OK, so I want to talk about your approach to some of these clothes because...


SIRIANO: Yeah.


SHAPIRO: I happen to wear very large shoes, and I've learned the hard way that you can find a shoe that looks really great in a size 7, but by the time you get to a size 13, it looks like a clown shoe.


(LAUGHTER)


SHAPIRO: So...


SIRIANO: True.


SHAPIRO: How are you designing different clothes for different kinds of bodies that are not just a larger version of the clothes you would design for a small person?


SIRIANO: Yeah, I think it's super important to figure out. You know, we have dresses that I actually think look better if you have more of a bust 4 or more of a hip 5. And then there are some pieces that, you know, maybe are supposed to be if you have broad shoulders or whatever it is. That's why in a collection, it should be as diverse as you can be. I think there should be options for a lot of different types of bodies and women.


SHAPIRO: Correct me if I'm wrong. You're 5-4. Is that right?


SIRIANO: Yeah.


SHAPIRO: Does any of the desire to make women who may not fit the runway standard feel beautiful connect to experiences that you had as a kid being smaller, you know, not being a jock, an athlete?


SIRIANO: Even though I was none of those things, I was, like, very confident as a child.


SHAPIRO: (Laughter).


SIRIANO: I'm sure everyone was like, what is this, like, little fairy running around doing? But I had a lot of friends that were different types of girls. I had, you know, cheerleader-type girls, and then I had, you know, the weird 6 kids. And I had a lot of different friends growing up.


And then my sister was a ballet dancer, so I was, you know, backstage with my mom. And we were in, like, costumes and hair and makeup 7. And a performance was like a fashion show. It was, like, they were getting ready. It was, like, you know, changing. It was, you know, dress rehearsal 8. I just loved that world, and I didn't really know why I loved that world. But I knew I loved that fantasy idea.


SHAPIRO: Most people first heard your name in association with "Project Runway," which you won at age 21. And I think I would be mortified 9 for the world to have judged me based on what I did when I was 21 years old...


SIRIANO: (Laughter) Exactly.


SHAPIRO: And for that to have been sort of, like, my national coming out party.


SIRIANO: Yeah, exactly. Trust me. And I auditioned 10 when I was 20 - so even more so. I always think that's such a funny thing because I mean, like, I'm turning 31 this year, so obviously people are different when they're in college as opposed to when they're having a real life, running a multimillion dollar company. Obviously you're different.


SHAPIRO: But you're a mentor 11 for "Project Runway Junior."


SIRIANO: Yeah.


SHAPIRO: Tim Gunn has spoken very highly of you. I know you're still in contact with Michael Kors. It sounds like that it's not something that you've left behind completely.


SIRIANO: There's parts of it that are always going to be around. You know, and I chose to, you know, mentor that younger generation to change a little bit of the what happens afterward 12.


SHAPIRO: What do you mean by the after?


SIRIANO: Well, I mean afterward, you're literally thrown into a marketplace with millions of fans that, like, want to buy product, and they don't know how to buy product. And they want - you, like, have a brand instantly without having a brand, which is a really - which...


SHAPIRO: Without having the infrastructure 13 behind the (inaudible).


SIRIANO: You have nothing. Like, you literally - I mean for me, I just was really good at pretending like I knew what I was doing. But you know, I had no idea. I never - my first retailer 14 was Saks Fifth Avenue. I didn't even know how to ship a box to a retailer. Like, how do you pack it? How do you send it to make sure it gets on the floor? Like, you figure it out as you go along.


SHAPIRO: So we're talking to you because in some way you represent a break from what the fashion industry typically does. You take a much more sort of open-minded approach to who can look beautiful wearing fashion.


SIRIANO: Yeah.


SHAPIRO: Do you think that the rest of the fashion world will follow where you are leading?


SIRIANO: Yeah. I mean I think so. I think definitely it's changing already. I think people are, you know, really - I mean I hope because I'm kind of throwing it in your face (laughter). And you know, that's a big part of why I decided 15 to work with Lane Bryant because I think what they're doing also is kind of like throwing it in your face and saying, like, you know, we should really celebrate all these different types of women. I think it's just so important.


I also just think there's so much hate. There's so much craziness going on in this world that clothes and fashion should be, like, fun and fabulous 16. Like, it shouldn't be a stressful, horrible, intense thing. And that's I think, like, my new look on it - that that's what it should be about.


SHAPIRO: Well, Christian Siriano, congratulations on all of your incredible success. And it's...


SIRIANO: Thank you so much.


SHAPIRO: ...Really great to talk to you.


SIRIANO: Thank you. Thank you - hope you have a great day.


 


SHAPIRO: You, too.



adj.基督教徒的;n.基督教徒
  • They always addressed each other by their Christian name.他们总是以教名互相称呼。
  • His mother is a sincere Christian.他母亲是个虔诚的基督教徒。
n.浏览者
  • View edits in a web browser.在浏览器中看编辑的效果。
  • I think my browser has a list of shareware links.我想在浏览器中会有一系列的共享软件链接。
adv.照字面意义,逐字地;确实
  • He translated the passage literally.他逐字逐句地翻译这段文字。
  • Sometimes she would not sit down till she was literally faint.有时候,她不走到真正要昏厥了,决不肯坐下来。
vt.打破;vi.爆裂;n.半身像;胸部
  • I dropped my camera on the pavement and bust it. 我把照相机掉在人行道上摔坏了。
  • She has worked up a lump of clay into a bust.她把一块黏土精心制作成一个半身像。
n.臀部,髋;屋脊
  • The thigh bone is connected to the hip bone.股骨连着髋骨。
  • The new coats blouse gracefully above the hip line.新外套在臀围线上优美地打着褶皱。
adj.古怪的,离奇的;怪诞的,神秘而可怕的
  • From his weird behaviour,he seems a bit of an oddity.从他不寻常的行为看来,他好像有点怪。
  • His weird clothes really gas me.他的怪衣裳简直笑死人。
n.组织;性格;化装品
  • Those who failed the exam take a makeup exam.这次考试不及格的人必须参加补考。
  • Do you think her beauty could makeup for her stupidity?你认为她的美丽能弥补她的愚蠢吗?
n.排练,排演;练习
  • I want to play you a recording of the rehearsal.我想给你放一下彩排的录像。
  • You can sharpen your skills with rehearsal.排练可以让技巧更加纯熟。
v.使受辱( mortify的过去式和过去分词 );伤害(人的感情);克制;抑制(肉体、情感等)
  • She was mortified to realize he had heard every word she said. 她意识到自己的每句话都被他听到了,直羞得无地自容。
  • The knowledge of future evils mortified the present felicities. 对未来苦难的了解压抑了目前的喜悦。 来自《简明英汉词典》
vi.试听(audition的过去式与过去分词形式)
  • None of the actresses we have auditioned is suitable. 我们试听的这些女演员都不合适。 来自《简明英汉词典》
  • What is that, from some script you auditioned for in the '40s? 什么玩意儿是你40年代试的那些剧本吗? 来自电影对白
n.指导者,良师益友;v.指导
  • He fed on the great ideas of his mentor.他以他导师的伟大思想为支撑。
  • He had mentored scores of younger doctors.他指导过许多更年轻的医生。
adv.后来;以后
  • Let's go to the theatre first and eat afterward. 让我们先去看戏,然后吃饭。
  • Afterward,the boy became a very famous artist.后来,这男孩成为一个很有名的艺术家。
n.下部构造,下部组织,基础结构,基础设施
  • We should step up the development of infrastructure for research.加强科学基础设施建设。
  • We should strengthen cultural infrastructure and boost various types of popular culture.加强文化基础设施建设,发展各类群众文化。
n.零售商(人)
  • What are the retailer requirements?零售商会有哪些要求呢?
  • The retailer has assembled a team in Shanghai to examine the question.这家零售商在上海组建了一支团队研究这个问题。
adj.决定了的,坚决的;明显的,明确的
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
adj.极好的;极为巨大的;寓言中的,传说中的
  • We had a fabulous time at the party.我们在晚会上玩得很痛快。
  • This is a fabulous sum of money.这是一笔巨款。
学英语单词
-just
17-hydroxycorticosteroid
40
absorbent papers
Actinidia polygama
alphanumeric characters
another story
aquileges
Armenophobes
bassen'd
basting brush
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biennia
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chewing insect
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Coogoon R.
Cuttack
definite proportion
dicranella rufescence (dicks.) schimp.
esse
evomitation
EWNP
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final-salary
friction gearing
general bill of lading
germon
grouping of population
hairspring type
helianthus laetifloruss
heterodimerises
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Home Bias
in a ratio of
jumping wheel jumper
keep one's eye upon
kind of work
kiss of life
labeled common block name
liquid penetration inspection
Lučani
m.c.
Machiavel
Malyy Yenisey
mammy wagon
matrix in block form
metaremarks
misrouteing
Mitomi
modal notation
modulo reduction
monniker
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national enquiry
olibene
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pantograph frame
penirolol
plant lectin
plate and tube condenser
plea to indictment
Porm
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purpura of the newborn
resmelting
rockallia jongkuei
rustle ... up
sacred kingfisher
sand preparation plant
Sao Jorge do Limpopo
screamadelicas
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seppanen
series-parallel starter
shift register generator
shoal detector
social indicators movement
Spurway syndrome
stair turret
steady-state approximation
surface shape
tall gallberry hollies
temporal and spatial variation
tetraphenylborates
throat-paint
to snake
triethylammonium
Tussabid
usles
veggiedog
vestibular branches
yellow trefoil