标准美语发音的13个秘诀 CD 1 Track 4
时间:2018-12-03 作者:英语课 分类:标准美语发音的13个秘诀 CD1
Chapter 1 American Intonation 1
The American Speech Music CD 1 Track 4
What to Do with Your Mouth to Sound American
One of the main differences between the way an American talks and the way the rest of the world talks is that we don't really move our lips. (So, when an American says, "Read my lips!" what does he really mean?) We create most of our sounds in the throat, using our tongue very actively 2. If you hold your fingers over your lips or clench 3 your jaws 4 when you practice speaking American English, you will find yourself much closer to native-sounding speech than if you try to pronounce every ... single ... sound ... very ... carefully.
If you can relate American English to music, remember that the indigenous 5 music is jazz. Listen to their speech music, and you will hear that Americans have a melodic 6, jazzy way of producing sounds. Imagine the sound of a cello 7 when you say, Beddy bada bida beader budder (Betty bought a bit of better butter) and you'll be close to the native way of saying it.
Because most Americans came from somewhere else, American Englis h reflects the accent contributions of many lands. The speech music has become much more exaggerated than British English, developing a strong and distinctive 8 intona tion. If you use this intonation, not only will you be easier to understand, but you will sound much more confident, dynamic, and persuasive 9.
Intonation, or speech music, is the sound that you hear when a conversation is too far away to be clearly audible but close enough for you to tell the nationality of the speakers. The American intonation dictates liaisons and pronunciation, and it indicates mood and meaning. Without intonation, your speech would be fl at, mechanical, and very conf using for your listener. What is the American intonation pattern? How is it different from other languages? Foa egzampuru, eefu you hea ah Jahpahneezu pahsohn speakingu Ingurishu, the sound would be ve ry choppy, mechanical, and unemotional to an American. Za sem vey vis Cheuman pipples, it sounds too stiff. A mahn frohm Paree ohn zee ahzer ahnd, eez intonashon goes up at zee end ov evree sentence, and has such a strong intonation that he sounds romantic and highly emotional, but this may not be appropriate for a lecture or a business meeting in English.
+ Do not speak word by word.
If you speak word by wo rd, as many people who learned "p rinted" English do, you'll end up sounding mechanical and foreign. You may have noticed the same thing happens in your own language: When someone reads a sp eech, even a native speaker, it sounds stiff and stilted 10, quite
different from a normal conversational tone.
+ Connect words to form sound groups.
This is where you're going to start doing something completely different than what you have done in your previous English studies. This part is the most di fficult for many people because it goes against everything they've been taught. Instead of thinking of each word as a unit, think of sound units. These sound units may or may not correspond to a word written on a page. Native speakers don't say Bob is on the phone, but say [bäbizän the foun]. S ound units make a sentence flow smoothly 11, like peanut butter— never really ending and never really starting, just flowingalong. Even chunky peanut butter is acceptable. So long as you don't try to put plain peanuts directly onto your bread, you'll be OK.
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+ Use staircase intonation.
Let those sound groups floating on the wavy 12 river in the figure flow do wnhill and you'll get the staircase. Staircase intonation not only give s you that American s ound, it also makes you sound much more confident. Not every American uses the downward staircase. A certain segment of the population uses rising staircases—generally, teenagers on their way to a shopping mall: "Hi, my name is Tiffany. I live in La Canada. I'm on the pep squad 13."
What Exactly Is Staircase Intonation?
In saying your words, imagine that they come out as if they were bounding lightly down a flight of stairs. Every so often, one jumps up to anothe r level, and then starts down again. Americans tend to stretch out their sounds longer than you may think is natural. So to le ngthen your vowel 14 sounds, put them on two stairsteps instead of just one.
We're here. I
The sound of an American speaking a foreign language is very distinctive, because we double sounds that should be single. For example, in Japanese or Spanish, the word no is, to our ear, clipped or abbreviated 15.
When you have a word ending in an unvoiced consonant—one that you "whisper" (t, k, s, x, f, sh)—you will notice that the prece ding vowel is said quite quick ly, and on a single stairstep.When a word ends in a vowel or a voiced consonant—one that you "say" (b, d, g, z, v, zh, j), the preceding vowel is said more slowly, and on a double stairstep.
There are two main consequen ces of not doubling the second category of words: Either your listener will hear the wrong word, or even worse, you will always sound upset.
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Consider that the words curt 16, short, terse 17, abrupt 18, and clipped all literally 19 mean short. When applied to a person or to language, they take on the meaning of upset or rude. For example, in the expressions "His curt reply ...," "Her terse response...'' or "He was very short with me" all indicate a
less than sunny situation.
Three Ways to Make Intonation
About this time, you're coming to the point where you may be wondering, what exactly are themechanics of intonation? What changes when you go to the top of the staircase or when you putstress on a word? There are three ways to stress a word.
+ The first way is to just get louder or raise the volume. This is not a very sophisticated way of doingit, but it will definitely command attention.
+ The second way is to streeeeetch the word out or lengthen 20 the word that you want to draw attention to (which sounds very insinuating).
+ The third way, which is the most refined, is to change pitch. Although pausing just before changing the pitch is effective, you don't want to do it every time, because then it becomes an obvious technique. However, it will make your audience stop and listen because they think you're going to say something interesting.
- The teacher checks for pronunciation and intonation.老师在检查发音和语调。
- Questions are spoken with a rising intonation.疑问句是以升调说出来的。
- During this period all the students were actively participating.在这节课中所有的学生都积极参加。
- We are actively intervening to settle a quarrel.我们正在积极调解争执。
- I clenched the arms of my chair.我死死抓住椅子扶手。
- Slowly,he released his breath through clenched teeth.他从紧咬的牙缝间慢慢地舒了口气。
- The antelope could not escape the crocodile's gaping jaws. 那只羚羊无法从鱷鱼张开的大口中逃脱。
- The scored jaws of a vise help it bite the work. 台钳上有刻痕的虎钳牙帮助它紧咬住工件。
- Each country has its own indigenous cultural tradition.每个国家都有自己本土的文化传统。
- Indians were the indigenous inhabitants of America.印第安人是美洲的土著居民。
- His voice had a rich melodic quality.他的音色浑厚而优美。
- He spoke with a soft husky voice in a melodic accent.他微微沙哑的声音带着一种悠扬的口音。
- The cello is a member of the violin family.大提琴是提琴家族的一员。
- She plays a melodious cello.她拉着一手悦耳的大提琴。
- She has a very distinctive way of walking.她走路的样子与别人很不相同。
- This bird has several distinctive features.这个鸟具有几种突出的特征。
- His arguments in favour of a new school are very persuasive.他赞成办一座新学校的理由很有说服力。
- The evidence was not really persuasive enough.证据并不是太有说服力。
- All too soon the stilted conversation ran out.很快这种做作的交谈就结束了。
- His delivery was stilted and occasionally stumbling.他的发言很生硬,有时还打结巴。
- The workmen are very cooperative,so the work goes on smoothly.工人们十分合作,所以工作进展顺利。
- Just change one or two words and the sentence will read smoothly.这句话只要动一两个字就顺了。
- She drew a wavy line under the word.她在这个词的下面画了一条波纹线。
- His wavy hair was too long and flopped just beneath his brow.他的波浪式头发太长了,正好垂在他的眉毛下。
- The squad leader ordered the men to mark time.班长命令战士们原地踏步。
- A squad is the smallest unit in an army.班是军队的最小构成单位。
- A long vowel is a long sound as in the word"shoe ".长元音即如“shoe” 一词中的长音。
- The vowel in words like 'my' and 'thigh' is not very difficult.单词my和thigh中的元音并不难发。
- He gave me an extremely curt answer.他对我作了极为草率的答复。
- He rapped out a series of curt commands.他大声发出了一连串简短的命令。
- Her reply about the matter was terse.她对此事的答复简明扼要。
- The president issued a terse statement denying the charges.总统发表了一份简短的声明,否认那些指控。
- The river takes an abrupt bend to the west.这河突然向西转弯。
- His abrupt reply hurt our feelings.他粗鲁的回答伤了我们的感情。