时间:2019-01-30 作者:英语课 分类:This is America


英语课

THIS IS AMERICA -August 19, 2002: Ravinia and Tanglewood Music Parks


By Jerilyn Watson
Broadcast:
VOICE ONE:
Every summer, millions of Americans enjoy listening to music concerts at parks in the open air. They can hear



some of the nation’s best performers. I'm Shirley Griffith.
VOICE TWO:
And I’m Sarah Long. The story of two of America’s most famous open-air music parks is our report today on



the VOA Special English program, THIS IS AMERICA.
((MUSIC: "BRAHMS SYMPHONY 1 NUMBER ONE")
)
VOICE ONE:


 


It is summer at Ravinia Park, near the middle-western city of Chicago, Illinois. The
night is hot. But the wind moves the branches of trees and cools the darkness. The
Chicago Symphony Orchestra 2 is performing Symphony Number One by Johannes
Brahms. Thousands of people are in the park.


A husband and wife sit on the ground, far from where the musicians are playing.
Their two little boys look at picture books. When the sky becomes dark, the boys sit
close to their parents. Every so often, they all look at the stars. The sound of the Brahms music surrounds them.


((CUT TWO: MORE BRAHMS SYMPHONY NUMBER ONE))


VOICE TWO:


These people are among the millions of Americans who attend outdoor music concerts each summer. The
concerts are performed at open air music parks across the country. As someone once said, “Music played
outside, especially after dark, is one of the great pleasures of summer.


Some American music parks serve as the summer home for a city orchestra. At these parks, musicians may play
well known classical music, like the Brahms symphony. Or they may play folk music, jazz or popular music.


VOICE ONE:


Ravinia Festival park is about thirty kilometers north of Chicago. The park has a
large area of open land where people sit on the ground. People also can sit inside in
a building called a pavilion. The front and sides of the pavilion are open so everyone
can see the performers.


The music of some of America's most popular composers floats out from the
pavilion into the summer darkness. Listen as Betty Buckley sings "How Long Has
This Been Going On?" by George Gershwin.


((MUSIC: "HOW LONG HAS THIS BEEN GOING ON?"))


VOICE TWO:


People have been enjoying summer on this same land for almost a century. During the early nineteen-hundreds




the area had a baseball field. There were rooms for eating and dancing. And there was an open-air theater.


An early version 3 of the present Ravinia Festival opened in nineteen-eleven. By nineteen-nineteen, it had become
a summer home for some of the world’s great performers. Over the years visitors heard performances by
George Gershwin and Leonard Bernstein. For people who liked jazz, there were Benny Goodman, Harry 4 James
and Lionel Hampton.


VOICE ONE:


The great economic Depression forced the Ravinia organization to close in nineteen -thirty-one. But several years
later, businessmen formed the Ravinia Festival Corporation 5. They brought the Chicago Symphony Orchestra to
the park in nineteen-thirty-six.


One of the most famous conductors to lead the symphony orchestra at Ravinia is James Levine (Leh-VINE). He
was appointed music director in nineteen-seventy-three. He was thirty years old. He continued serving at Ravinia
until nineteen-ninety-three.


Ravinia’s fame has now spread far beyond the city of Chicago. There is good reason to believe that Ravinia will
be offering summer music in the park for many years to come.


((MUSIC: "BRAHMS SYMPHONY NUMBER ONE"))


VOICE TWO:


Another of America's most famous music parks is called Tanglewood. The Berkshire Music
Festival at Tanglewood is in the Berkshire Mountains in the eastern state of Massachusetts. It
is the summer home of the Boston symphony orchestra. The Boston Pops Orchestra also
performs at Tanglewood.


Listen as John Williams leads the Boston Pops Orchestra and the Tanglewood Festival Chorus 6



singers in the traditional spiritual, "Deep River."


((MUSIC: "DEEP RIVER"))


VOICE ONE:


Tanglewood exists mainly because of Serge Koussevitsky (sairzh koo-suh -VIHT-skee), who was born in Russia.
He earned great success in Europe as a musician. He also formed his own orchestra. Then he came to the United
States.


Koussevitsky began leading the Boston Symphony Orchestra in nineteen-twentyfour.
His dream of presenting music in a beautiful mountain area came true in the
middle nineteen-thirties. That is when he led the Boston orchestra in its first
concerts at Tanglewood.


Koussevitsky also helped open the Berkshire Music Center at
Tanglewood in nineteen-forty. The center has provided 7 classes for
some of America's most promising 8 music students, including
American composer and conductor Leonard Bernstein. Bernstein
later directed students at the music center.



Tanglewood, 1973: Seiji
Ozawa in his first season as
music director of the BSO
VOICE TWO:
July 2002: Ozawa
saying farewell
after 29 years


Another famous American composer, Aaron Copland, served as Koussevitsky's first assistant (Photos -BSO)
director at Tanglewood. The two men prepared programs of music written by composers
hundreds of years earlier. They also prepared programs by modern composers paid to write for the Boston
Symphony. The orchestra also played the works 9 of two composers Koussevitsky had helped make famous in
Europe: Maurice Ravel and Igor Stravinsky.


Over the years, Tanglewood has won praise for presenting operas, traditional musical dramas that are sung. Here



is music from "Falstaff”, an opera by Giuseppe Verdi.



((MUSIC: FROM "FALSTAFF")
)
VOICE ONE:
Classical, jazz and folk music all are popular at Tanglewood. We leave you now with the music of Bill Crofut of



the United States and Benjamin Luxon of England. They sing a combined folk song: the American "Simple
Gifts" and the British "Lord 10 of the Dance.
"
((MUSIC: "SIMPLE GIFTS/LORD OF THE DANCE")
)



VOICE TWO:
This program was written by Jerilyn Watson. It was produced by Caty Weaver 11. Our studio engineers were John
Ellison and Tony Harris. I'm Sarah Long.



VOICE ONE:
And I'm Shirley Griffith. Join us again next week for another report about life in the United States on the VOA
Special English program, THIS IS AMERICA.


 


Email this article to a friend
Printer Friendly Version



n.交响乐(曲),(色彩等的)和谐
  • The Ninth Symphony of Beethoven is a famous one.贝多芬的第九交响乐非常有名。
  • They play over the whole symphony.他们把整个交响乐重新演奏了一遍。
n.管弦乐队;vt.命令,定购
  • He plays the violin in an orchestra.他在管弦乐队中演奏小提琴。
  • I was tempted to stay and hear this superb orchestra rehearse.我真想留下来听这支高超的管弦乐队排练。
n.版本;型号;叙述,说法
  • His version of the events is pure supposition.他对这件事的说法纯属猜测。
  • What is your version of this matter?你对这件事情的看法 怎么样?
vt.掠夺,蹂躏,使苦恼
  • Today,people feel more hurried and harried.今天,人们感到更加忙碌和苦恼。
  • Obama harried business by Healthcare Reform plan.奥巴马用医改掠夺了商界。
n.公司,企业&n.社团,团体
  • The company has gone into partnership with Swiss Bank Corporation. 这家公司已经和瑞士银行公司建立合作关系。
  • The inflation did the corporation up. 通货膨胀使这个公司破产了。
n.合唱,合唱队,齐声
  • Never before have I heard this song sung in chorus.我从来没有听过这首歌的合唱。
  • The children repeated the words after her in chorus.孩子们跟她齐声朗读单词。
conj.假如,若是;adj.预备好的,由...供给的
  • Provided it's fine we will have a pleasant holiday.如果天气良好,我们的假日将过得非常愉快。
  • I will come provided that it's not raining tomorrow.如果明天不下雨,我就来。
adj.有希望的,有前途的
  • The results of the experiments are very promising.实验的结果充满了希望。
  • We're trying to bring along one or two promising young swimmers.我们正设法培养出一两名有前途的年轻游泳选手。
n.作品,著作;工厂,活动部件,机件
  • We expect writers to produce more and better works.我们期望作家们写出更多更好的作品。
  • The novel is regarded as one of the classic works.这篇小说被公认为是最优秀的作品之一。
n.上帝,主;主人,长官;君主,贵族
  • I know the Lord will look after him.我知道上帝会眷顾他的。
  • How good of the Lord not to level it beyond repair!上帝多么仁慈啊,竟没有让这所房子损毁得不可收拾!
n.织布工;编织者
  • She was a fast weaver and the cloth was very good.她织布织得很快,而且布的质量很好。
  • The eager weaver did not notice my confusion.热心的纺织工人没有注意到我的狼狈相。
学英语单词
A. C. L. D.
akromegaly
analog input channel
anti-anthrax
aquagene
archiblastic
assessment district
atom trap
attracted armature relay
bacillus meningitidis cerebrospinalis septicaemiae
belted galloway
benzene alkylation
bricklier
cable length switch
carboxyplypeptidase
castle hill
Catita
channel-section
check abuse
climatic classification of soils
cockles of the heart
codgy
compact powder
Conca, Torrente
curietron
dactylopus dactylopus
denimlike
diaphaneities
dimelus
disbursements account
discomposture
double-barrelled intussusception
Edenkoben
electroencephalogr
eyasmuskets
face a crisis
feinstratigraphie
flexible tine cultivator
fluent lava
foreign market value
fortune-hunter
glycodiversification
goofier
half-salted fish
Hatsukaichi
heder
heily
hindered contraction
i-r-a
interest representation model
iodobenzyl bromide
Ivano-Frankovsk
kalina
kallaut
kamikazed
large hatch ship
latitudinally
lesages
lycogala flavofuscum
macroerythrocyte
magnesicm cell
Mandelstam representation
methoxya-cetanilide
modern management
morgenthaus
movement differential
nemestrinas
nightthe
nitrogen content
non card credit
paper tray
PHA-LYCM
pipe closure
pollution relationships
Put your arm no further than your sleeve will reach
Qur'aniyun
radiobiological energetics
Rhododendron lepidotum
Saint-Gingolph
Santurde
semantic-differential
seybold
Sezze
Shawforth
showing off
slaverings
spatial correlation
speed sprayer
standard alignment rule
sucramin
sulfatostannate
the Pledge of Allegiance
Thunbergia lutea
to back onto sth
transfer-turnover device
valspar
valv
vat pink
voltage between segments
whim
xanthinic
xionics