时间:2019-01-16 作者:英语课 分类:2016年NPR美国国家公共电台11月


英语课

ABC's 'Speechless' Looks To Change How Hollywood Depicts 1 Disability 


play pause stop mute unmute max volume 00:0007:51repeat repeat off Update Required To play the media you will need to either update your browser 2 to a recent version or update your Flash plugin. AUDIE CORNISH, HOST: 


ABC TV show "Speechless" is about the Dimeo family - a mom, dad and three kids - but it's not your stereotypical 3 family sitcom 4. JJ, the oldest of the three, has cerebral 5 palsy. He uses a wheelchair, and he's nonverbal. That means he communicates using a board with words and letters on it, which he points to with a small laser. The show isn't sappy. It finds humor in the family's everyday life, like when JJ gets drunk at a Halloween party, and his parents are forced to ground him.


(SOUNDBITE OF TV SHOW, "SPEECHLESS")


MINNIE DRIVER: (As Maya Dimeo) It's going to take a lot to earn back our trust, young man.


UNIDENTIFIED ACTOR: (As character) Oh, that was good.


(SOUNDBITE OF YELLING)


JOHN ROSS BOWIE: (As Jimmy Dimeo) OK. I know we're disappointed. He's grounded. Blah, blah, blah (ph). But was that not fantastic?


DRIVER: (As Maya Dimeo) We just grounded our special needs son for being a normal teenager.


BOWIE: (As Jimmy Dimeo) Maya, we don't say normal.


DRIVER: (As Maya Dimeo) All right - for being an idiot teenager.


BOWIE: (As Jimmy Dimeo) Exactly.


CORNISH: Speechless is ultimately about a fictional 6 family, but show creator Scott Silveri told me it comes from a very personal place. His older brother had cerebral palsy.


SCOTT SILVERI: Growing up with a brother with a disability - it not only affects his life, it invariably affects the life of all of us around him. And he, too, is non-verbal, but he's the person who affected 7 me the most in my life, and I never had a conversation with him. And I think each of us in our family became who we became, to a degree, because of him. And I think, you know, that it's certainly true of my mom, who - God bless her - worked so hard for - to take care of him and to provide for him and to make sure he wasn't neglected. Same with my dad, who, you know, in addition to that, was working very hard to make enough to take care of all of us and to handle the costs that come with disability. It ain't cheap.


CORNISH: You know, hearing you talk like this - it reminds me that the show does feel a little bit more kind of "Married With Children" or, like, "Roseanne" from the '90s...


SILVERI: Sure.


CORNISH: ...Than anything else. And can you talk about, like, what family sitcoms 8 you loved growing up? Like, what are you borrowing from here?


SILVERI: Well, I loved those. I was - I was a TV junkie. I certainly loved "Family Ties," "Roseanne," "Married With Children," too - those messy shows always.


CORNISH: Yeah, there's some bite there.


SILVERI: Yeah, exactly. Exactly. And I think - I think it's easy to, you know, show love between people when there's really nothing much going on between them. But I was - I was interested in, you know, people with challenges and making that work. You know, I think that's where a lot of - where a lot of comedy comes from. The comedy that I enjoy - it's discomfort 9. It's bluntness. It's making mistakes. It's being wrong.


CORNISH: Now, the rest of JJ's family, the Dimeos, include the dad, Jimmy, who basically doesn't care what other people think.


SILVERI: That's true.


CORNISH: The mother, Maya Dimeo, played by Minnie Driver.


SILVERI: Yeah.


CORNISH: And I want to play a scene where she discovers that the so-called wheelchair ramp 10 at her son's new school is actually used to take the garbage in and out of the building.


SILVERI: Right.


CORNISH: And the school's groundkeeper, who becomes, later, JJ's aide, actually uses the word crippled during the course of their conversation, and here's how she responds.


(SOUNDBITE OF TV SHOW, "SPEECHLESS")


DRIVER: (As Maya Dimeo) I'll tell you what's going to happen. You're going to build a ramp in front. Furthermore, I would like Crippled here to be cited for his language, which I think should be deemed hate speech.


BOWIE: (As Jimmy Dimeo) Be it so deemed.


CORNISH: That's their dynamic, which is very fun, of her being kind of hyper-intense and him being very chill. But there's another stereotype 11 to this kind of story, which is brave advocate mom.


SILVERI: Well, at every turn, I was reaching out to find what the actual experience was of, you know, families like these. And when I looked at the mom - not just my mom, but I sat down with a lot of mothers of kids with disabilities - they were all fighters, whether they wanted to be or not, whether they came from that or not. I think the mistake would be to have her be only a fighter, to lose sides of a fun and silliness. But the show is not the wheelchair-ramp-of-the-week show. It's not next week, the pizzeria doesn't have one. And, yeah, we were - we were careful not to make it simply her on the attack all the time. I think, you know, it would be, you know, reductive and insulting to moms like this to reduce them simply to that fighting thing. But damn if they don't have it in common.


CORNISH: Now, we reached out to some of our listeners who have watched the show, enjoyed the show and had their own questions. And here's one from Cara Liebowitz of Hyde Park, N.Y.


CARA LIEBOWITZ: I have cerebral palsy, and I know, for me, growing up going to a mainstream 12 school, my summer camp for kids with physical disabilities was really important to me in terms of forming a disability identity and having pride in my disability, as well as finding older mentors 13 who kind of showed me how to do things when you have a disability. So I'd like to know - will we see JJ interacting with other people with disabilities?


CORNISH: Scott Silveri.


SILVERI: Stay tuned 14. Yes, that's something we have our eye on for this year. I know such a big part of these young kids' social lives is going to - you know, whether it's an after-school program or a camp where they get to go and just be surrounded by their tribe. You know, these kids are absolutely able to get along, and I think inclusion and mainstreaming is an important and positive thing.


CORNISH: And I just want to jump in here. We should mention that Micah Fowler, who is the star of the show - he does have cerebral palsy - right? - though he is verbal.


SILVERI: He does. Yes. Yes.


CORNISH: And so will - like, if you bring in these other kind of characters, are you going to cast the same way? Are you going to be using actors who have these disabilities?


SILVERI: Of course. Oh, yeah. You got it. Yeah. Yeah.


CORNISH: You're saying of course, but, like, nine times out of 10 in Hollywood, that's not how it's done, right? We know from many an Oscar winner that's not how it's done.


SILVERI: I think nine-point-five times out of 10 is the real number. For me, the decision to cast a character with a disability here was simply a practical one. It was absolutely essential to me. It was never a question whether or not we'd cast someone with a disability. And, you know, it's funny I expected that to be a big fight. I got all - I got all ready for it. I was so excited. I got a great speech prepared. I got no pushback. I wish I had. I wanted to take on the system.


CORNISH: You know, there is a term out there, which I've only heard recently, called rep sweats - the idea that, like, if you are so not used to seeing yourself represented in stories and media, movie, TVs, when you get that one depiction 15, you're like - you put a lot of pressure on it.


SILVERI: (Laughter).


CORNISH: Have you been feeling that?


SILVERI: I - you know what? I've actually - I expected a lot more of that. My experience has been, for the most part, that people with disabilities, with a family member - people close to it - are so relieved to see a representation at all. So they're giving us the benefit of the doubt. I felt that, you know, very early on. We're very mindful of the JJ character. He needs to have agency. He needs to be active. He can never simply be a prop 16. My test for him was - is this a kid who would exist as a character outside of the disability, outside of the wheelchair? And once I was satisfied that he was - OK, great. Let's do that. Let's write for this kid. But if it's - if the wheelchair is the story, that's a story not worth telling in my mind.


CORNISH: Scott Silveri - his new show "Speechless" is on ABC - thank you so much for speaking with us.


SILVERI: It was a real pleasure. Thank you so much.


(SOUNDBITE OF MUSIC)


CORNISH: And "Speechless" airs Wednesdays on ABC.



描绘,描画( depict的第三人称单数 ); 描述
  • The book vividly depicts French society of the 1930s. 这本书生动地描绘了20 世纪30 年代的法国社会。
  • He depicts the sordid and vulgar sides of life exclusively. 他只描写人生肮脏和庸俗的一面。
n.浏览者
  • View edits in a web browser.在浏览器中看编辑的效果。
  • I think my browser has a list of shareware links.我想在浏览器中会有一系列的共享软件链接。
n.常规
  • Personas should be typical and believable, but not stereotypical. 人物角色应该是典型和可信赖的,但不是一成不变的。 来自About Face 3交互设计精髓
  • Anything could be stereotypical, so I guess it could be criticism. 任何东西都可以变的老套,所以我猜那就是一种批评。 来自互联网
n.情景喜剧,(广播、电视的)系列幽默剧
  • This sitcom is produced in cooperation with Hong Kong TV.这部连续剧是同香港电视台联合制作的。
  • I heard that a new sitcom is coming out next season.我听说下一季会推出一个新的情境喜剧。
adj.脑的,大脑的;有智力的,理智型的
  • Your left cerebral hemisphere controls the right-hand side of your body.你的左半脑控制身体的右半身。
  • He is a precise,methodical,cerebral man who carefully chooses his words.他是一个一丝不苟、有条理和理智的人,措辞谨慎。
adj.小说的,虚构的
  • The names of the shops are entirely fictional.那些商店的名字完全是虚构的。
  • The two authors represent the opposite poles of fictional genius.这两位作者代表了天才小说家两个极端。
adj.不自然的,假装的
  • She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
  • His manners are affected.他的态度不自然。
n.情景喜剧( sitcom的名词复数 )
  • This is the stuff most stadard TV sitcoms are made of. 这是大多数标注的电视幽默剧所采用的题材。 来自《简明英汉词典》
  • In most countries, prime-time Monday night television is dominated by sitcoms. 在大多数国家,周一晚上的电视黄金时段都由连续剧所占据。 来自互联网
n.不舒服,不安,难过,困难,不方便
  • One has to bear a little discomfort while travelling.旅行中总要忍受一点不便。
  • She turned red with discomfort when the teacher spoke.老师讲话时她不好意思地红着脸。
n.暴怒,斜坡,坡道;vi.作恐吓姿势,暴怒,加速;vt.加速
  • That driver drove the car up the ramp.那司机将车开上了斜坡。
  • The factory don't have that capacity to ramp up.这家工厂没有能力加速生产。
n.固定的形象,陈规,老套,旧框框
  • He's my stereotype of a schoolteacher.他是我心目中的典型教师。
  • There's always been a stereotype about successful businessmen.人们对于成功商人一直都有一种固定印象。
n.(思想或行为的)主流;adj.主流的
  • Their views lie outside the mainstream of current medical opinion.他们的观点不属于当今医学界观点的主流。
  • Polls are still largely reflects the mainstream sentiment.民调还在很大程度上反映了社会主流情绪。
n.(无经验之人的)有经验可信赖的顾问( mentor的名词复数 )v.(无经验之人的)有经验可信赖的顾问( mentor的第三人称单数 )
  • Beacham and McNamara, my two mentors, had both warned me. 我的两位忠实朋友,比彻姆和麦克纳马拉都曾经警告过我。 来自辞典例句
  • These are the kinds of contacts that could evolve into mentors. 这些人是可能会成为你导师。 来自互联网
adj.调谐的,已调谐的v.调音( tune的过去式和过去分词 );调整;(给收音机、电视等)调谐;使协调
  • The resort is tuned in to the tastes of young and old alike. 这个度假胜地适合各种口味,老少皆宜。
  • The instruments should be tuned up before each performance. 每次演出开始前都应将乐器调好音。 来自《简明英汉词典》
n.描述
  • Double rhythms, resounding through the lyric depiction and connecting with each other, indicate the thespian place of mankind and the cognition of the writer to this thespian place. 这双重旋律互为表里,表明了人类的某种悲剧性处境以及作家对这种悲剧性处境的感受和认识。
  • A realistic depiction of scenes from everyday domestic life. 日常家居生活的写实画。
vt.支撑;n.支柱,支撑物;支持者,靠山
  • A worker put a prop against the wall of the tunnel to keep it from falling.一名工人用东西支撑住隧道壁好使它不会倒塌。
  • The government does not intend to prop up declining industries.政府无意扶持不景气的企业。
学英语单词
a narrow shave
actinopraxis
aircraft-mounted mine detector
al-daour
albedometers
amphicreatine
aptitude for
arched false work
armed reconnaissance
asahikawas
asphalt flooring
ataerio of drupelets
averill
bachet
bangs-bangs-bangs
be on leave
biological decomposition
blood sucker
busca
cauliflory
central frequency
coastal navigational warnings
coiler pulpit
cold mirrors
continuous charging
convergent filtration
counting on
cupr
delay sweep
dorkish
drum-kits
economy of scope
elbel
electric fog horn
errorlevel
fall of snow
filiforme
fillmass chute
first of same tenor and bate being unpaid
graphic-mode display
Gynutoclinus
high frequency thin film thickness meter
high temperature ablative material
Highmore's body
hochstein
hot gas flame
intermediate products
Koebe function
laterobronchus
liquid-pressure scales
log arithmic diode
losings
Mackinaw City
mean lead
Morciano di Romagna
Morus mongolica
Moszczenica
mucousness
non-delivery
nonahedrons
Ocarina of Time
ocean data acquisition system
oiltight bulkhead
orangethorpe
orthotopic small intestine transplantation
pericontinental area
pile weave
polemist
policy
polyxylic
port block
prehypertrophic
pro-Zionist
production speed
project engineer scheduling technique
Pseudoracelopus
pur.
raise foreign funds
reconceptualise
refrigerator mom
relative byte address
rod bipoiars
rolled sheet iron
scapuloanterior
seal (contact) face
separable acf
sexduction
sightreaders
site model
stooker
tariff kilometerage
tayloria indica
tegminal
transperineal
Tridax
ultra-distance
urban-cowboy
weak signals
winter-annual cover crops
work-lines
wound rotor series resistor starting
zoster frontalis