时间:2019-01-11 作者:英语课 分类:VOA慢速英语2008年(二)月


英语课

VOICE ONE:


This is Faith Lapidus.


VOICE TWO:


And this is Steve Ember with People in America in VOA Special English. Today we tell 
Cole Porter
about the life and music of American songwriter Cole Porter.


(MUSIC: "Begin the Beguine")


VOICE ONE:


That was "Begin the Beguine" played by Artie Shaw's orchestra 1 in nineteen thirty-eight.


It is one of almost one thousand songs Cole Porter wrote. In his seventy-three years, more than five hundred of those songs were published. Porter wrote most of his songs in the nineteen twenties, thirties and forties. Yet they remain as fresh as when he wrote them.


 
Kevin Kline plays Cole Porter in the film "De-Lovely"
Cole Porter’s songs are still being sung and played today. They are performed at musical theaters, jazz clubs, even rock-and-roll concerts. A movie about his life, called “De-Lovely,‿was released in two thousand four. Kevin Kline stars in the movie as Cole Porter. Ashley Judd plays his wife, Linda Porter.  Popular young performers of today sing his songs in the movie. We will play some songs from that movie later in this program.


VOICE TWO:


Cole Porter was born June ninth, eighteen ninety-one, in the middle western state of Indiana. His family was wealthy and educated. His mother, Kate, guided him to music at an early age. He wrote his first song at the age of ten.


As a young man, he was sent east to study at Yale University in New Haven 2, Connecticut.  In his extra time, he continued to write songs. Two were for the university: the "Yale Bulldog" song and "Bingo Eli Yale." They are still sung there today.


After finishing his studies at Yale, Cole Porter went to Harvard University in Cambridge, Massachusetts to study law. That plan lasted only a year.  At a party one night, he played some of his songs for the students and professors. The head of the law school spoke 3 to him. "Why are you studying law?‿he asked. "You are no good at it. Why don't you go to Harvard's Music School and then write for the musical theater?"  Later, Porter said: "That idea had never entered my head before. "


VOICE ONE:


At the time, musical theater was extremely popular in America. This is because there were few music records. And radio programs were still being developed. So, songwriters had to work in the musical theater to be successful.  Cole Porter wrote his first musical show in nineteen sixteen. He was still a student at Harvard. The show was called "See America First." It was produced in the Broadway theater area of New York City.


The show was a complete failure. Porter wanted to leave town until people forgot it. So, he went to Europe. He stayed there for most of the next thirteen years.


VOICE TWO:


During this time, Cole Porter became famous for his parties. His guests were wealthy, pleasure-loving people from all over Europe. They liked him because he was smart and funny and knew how to enjoy life. And they loved his songs, which he played at his parties.  Here Cole Porter sings his song, “You’re the Top.‿


(MUSIC)


VOICE ONE:


In France, Cole Porter met the woman who became his wife. She was a beautiful and rich American named Linda Lee Thomas. They were married in nineteen nineteen.  The Porters gave parties that lasted for days. They had so much money they could do anything they wanted. And they did. Their life together was a search for excitement, adventure and pleasure.


 
 
Still, Cole Porter remained a serious, hard-working songwriter. He wrote both the words and the music for his songs. The words and music always fit together perfectly 4. His songs were funny, sexy and intelligent. They were playful -- full of little jokes and hidden meanings.


One of his earliest big hits is called "Let's Do It (Let's Fall in Love)." It was written in nineteen twenty-eight for a show called "Paris.‿nbsp;  Alanis Morrissette sings the song in the movie about Cole Porter called “De-Lovely.‿/P>


(MUSIC: "Let's Do It (Let's Fall in Love)")


VOICE TWO:


Some of Porter's friends thought he might not be a success. One friend, Elsa Maxwell, told him: "You are too good. The humor and poetry of your words are far beyond the people. One day, however," she added, "you will bring the public up to your own level. Then the world will be yours."


VOICE ONE:


Most of Cole Porter's songs are about love and desire. When they were written, they stretched the limits of what was socially acceptable 5. The words were often unexpected, sometimes even shocking. They spoke both directly and indirectly 6 about sex, about drug use. Some songs he sang only for his friends.


Critics consider "Love for Sale" to be one of Porter's finest songs. He wrote it in nineteen thirty for a Broadway musical called "The New Yorkers." For years, the song was banned on American radio. Here is a new version by Vivian Green.


(MUSIC: "Love for Sale")


VOICE TWO:


Many of Porter's songs were written in a minor 7 musical key. This gives them a feeling of sadness and longing 8. Yet they also can have a feeling of great excitement. American songwriter Alan J. Lerner said only Cole Porter could really "write" passion. One example is "Night and Day."  It is considered perhaps the finest song Cole Porter ever wrote.  It is about the kind of romantic love that is almost a form of insanity 9.


Porter got the idea for the song while traveling in Morocco. He heard drums and a man singing a prayer. The song has a sound that beats endlessly, over and over. It is like a lover who thinks of nothing but his love, over and over, night and day.


The song "Night and Day" was introduced in a nineteen thirty-two Broadway musical comedy called "The Gay Divorcee." The great dancer and singer Fred Astaire played the leading male character and sang the song.


"Night and Day" became famous around the world. And Cole Porter was becoming one of the greatest songwriters America had ever produced. Today there are many recordings 10 of the song by different singers and musicians. Here is “Night and Day‿from the movie about Cole Porter called “De-Lovely.‿nbsp; John Barrowman and Kevin Kline sing it.


(MUSIC: “Night and Day‿


VOICE ONE:


On our program next week, we will tell more about Cole Porter’s life, and bring you more of his music.


(MUSIC: "Begin the Beguine")


This program was written by Shelley Gollust. It was produced by Lawan Davis.  This is Faith Lapidus.


VOICE TWO:


And this is Steve Ember.  Join us again next week for People in America in VOA Special English.


 



n.管弦乐队;vt.命令,定购
  • He plays the violin in an orchestra.他在管弦乐队中演奏小提琴。
  • I was tempted to stay and hear this superb orchestra rehearse.我真想留下来听这支高超的管弦乐队排练。
n.安全的地方,避难所,庇护所
  • It's a real haven at the end of a busy working day.忙碌了一整天后,这真是一个安乐窝。
  • The school library is a little haven of peace and quiet.学校的图书馆是一个和平且安静的小避风港。
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
adv.完美地,无可非议地,彻底地
  • The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
  • Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。
adj.可接受的,合意的,受欢迎的
  • The terms of the contract are acceptable to us.我们认为这个合同的条件可以接受。
  • Air pollution in the city had reached four times the acceptable levels.这座城市的空气污染程度曾高达可接受标准的四倍。
adv.间接地,不直接了当地
  • I heard the news indirectly.这消息我是间接听来的。
  • They were approached indirectly through an intermediary.通过一位中间人,他们进行了间接接触。
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修
  • The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
  • I gave him a minor share of my wealth.我把小部分财产给了他。
n.(for)渴望
  • Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
  • His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。
n.疯狂,精神错乱;极端的愚蠢,荒唐
  • In his defense he alleged temporary insanity.他伪称一时精神错乱,为自己辩解。
  • He remained in his cell,and this visit only increased the belief in his insanity.他依旧还是住在他的地牢里,这次视察只是更加使人相信他是个疯子了。
n.记录( recording的名词复数 );录音;录像;唱片
  • a boxed set of original recordings 一套盒装原声录音带
  • old jazz recordings reissued on CD 以激光唱片重新发行的老爵士乐
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