爵士乐的由来 (一)
09 爵士乐的由来 (一)
DATE=2/26/2001 TITLE=THIS IS AMERICA #1053 - History of Jazz, Pt.1 BYLINE=Jerilyn Watson
VOICE ONE:
Some music experts say jazz is America's greatest gift to the arts. This kind of music developed from the (1)traditional sounds of African-American life. I'm Steve Ember.
VOICE TWO:
And I'm Shirley Griffith. The history of jazz is our report today on the VOA Special English program, THIS IS AMERICA.
((TAPE CUT ONE: "CHARLESTON," INSTEAD OF THEME))
VOICE ONE:
(2)Recently, a series of television films in the United States told the story of the music called (3)jazz.(4) Filmmaker and writer Ken 1 Burns and writer Geoffrey C. Ward 2 told how this music developed over the years. They showed how African-Americans created new sounds from their memories of (5)slavery in the South. The filmmakers told how black, Creole and white Americans created a new musical form. Today, millions of people around the world love jazz.
VOICE TWO:
"Jazz" can mean different jiods of music: swing, bebop or fusion 3. Jazz can make the listener feel sad or joyful 4, quiet or full of energy. It can sound hot -- or very cool.
Performers of jazz create some of the music as they play. They add their own notes to music that is written down. Each time a jazz musician plays a piece, it can sound fresh and new. Jazz musicians surprise listeners by breaking up traditional (6)rhythms. And, they give greater (7)intensity to unexpected parts of the music.
VOICE ONE:
Jazz probably had its roots in the nineteenth century. In the late Eighteen-Eighties, African-Americans began to develop new forms of music. They created blues 5 music from the gospel music and sad songs of their years in slavery. Ragtime 6 also (8)influenced the (9)creation of jazz. This music first gained (10)popularity in the Eighteen-Nineties in the South. African-American piano player Scott Joplin wrote many (11)ragtime songs. Listen now as Joshua Rifkin plays Joplin's "(12)Maple 7 Leaf Rag."
((TAPE CUT TWO: "MAPLE LEAF RAG")) 4'06''
VOICE TWO:
African-American and Creole musicians in New Orleans, (13)Louisiana probably developed the first true jazz music. This happened during the early Nineteen-Hundreds. Musicians performing in (14)memorial and holiday (15)parades added their own music to written music. This New Orleans music is often called (16)classic, traditional or Dixieland jazz.
From New Orleans, musicians such as Jelly Roll Morton, Sidney Bechet and King (17)Oliver helped spread jazz to other places. King Oliver's Creole Jazz Band plays "Chimes Blues."
((TAPE CUT THREE: "(18)CHIMES BLUES")) 5'53''
VOICE ONE:
Jazz continued to gain popularity as the years passed. During the Nineteen-Twenties, Louis (19)Armstrong became famous for his performances on the (20)trumpet and jazz (21)cornet. Later his unusual voice became just as famous. Listen as Louis Armstrong and His Hot Five play "West End Blues."
((TAPE CUT FOUR: "WEST END BLUES"))
VOICE TWO:
Historians often call the Nineteen-Twenties the Jazz Age, or the Golden Age of American Jazz. Young people from the Middle West created a new musical form during this time. People called this Chicago-style jazz. These musicians included great performers like Gene 8 Krupa and Benny (22)Goodman.
During this Golden Age, Bix Beiderbecke ('BX euhr behk) played cornet solos with the Paul Whiteman Orchestra. He also played piano and wrote music. Here he plays "There Ain't No Sweet Man (Worth the Salt of My Tears)" with the Paul Whiteman Orchestra.
((TAPE CUT FIVE: "THERE AIN'T NO SWEET MAN" ))
VOICE ONE:
As time passed, a jazz form called "swing" became very popular in America. People danced to swing music until after World War Two. This musical form got its name from a song by Duke Ellington. Listen as Duke Ellington and his (23)orchestra play "Sing, Sing, Sing (with a Swing").
((TAPE CUT SIX: "SING, SING, SING (WITH A SWING"))
VOICE TWO:
Benny Goodman led one of America's most successful swing bands. People called Goodman "The King of Swing." Critics also praised his playing of the (24)clarinet. He was the first jazz clarinetist to play with (25)symphony orchestras. Goodman also presented black and white jazz musicians playing together for the first time. He introduced great African-American jazz artists like Lionel Hampton and Teddy Wilson.
Other big bands of the time were led by Jimmy Dorsey and Tommy Dorsey, Earl Hines, Artie Shaw, Stan Kenton and Glenn Miller 9. Fine jazz singers performed with these bands. They included Nat "King" Cole, Ella Fitzgerald, Sarah Vaughn and Billie Holiday. Listen now as Billie Holiday sings "(26)Solitude."
((TAPE CUT SEVEN: "SOLITUDE"))
VOICE ONE:
After World War Two, a new kind of music replaced swing as the most popular jazz. Next week, we will tell you about this kind of music called bebop. Until then, we leave you with the Glenn Miller Orchestra playing "String of Pearls."
((TAPE CUT EIGHT: "STRING OF PEARLS" INSTEAD OF THEME))
VOICE TWO:
This program was written by Jerilyn Watson. It was produced by Cynthia Kirk. Our studio engineer was Holly 10 Capehart. I'm Shirley Griffith.
VOICE ONE:
And I'm Steve Ember. Join us again next week for the second part of our report about the history of jazz on the VOA Special English program, THIS IS AMERICA.
(1) traditional[trE5dIFEn(E)l]adj.传统的, 惯例的, 口传的, 传说的
(2) recently[5ri:sEntlI]adv.最近
(3) jazz[ dVAz ]n.爵士乐, 喧闹adj.爵士乐 的, 喧吵的, 颜色过于艳丽的
(4) filmmaker[`fIlm9meIkE(r)]n.电影摄制者
(5) slavery[ 5sleivEri ]n.奴隶身分, 奴隶制度, 苦役, 束缚
(6) rhythm[ 5riTEm, 5riWEm ]n.节奏, 韵律
(7) intensity[ in5tensiti ]n.强烈, 剧烈, 强度,亮度
(8) influence[ 5influEns ]n.影响, 感化, 势力,vt.影响, 改变
(9) creation[ kri5eiFEn ]n.创造, 创作物
(10) popularity[ 7pCpju5lAriti ]n.普及, 流行, 声望
(11) ragtime[5rA^taIm]n.拉格泰姆音乐(1890-1915期间在美国流行的一种音乐)adj
(12) maple[ 5meipl ]n.[植]枫, 枫木, 淡棕色
(13) Louisiana[ lu(:)7i:zi5AnE ]n.路易斯安那, (美国南部的州名)
(14) memorial[ mi5mC:riEl ]n.纪念物, 纪念馆, adj.记念的, 记忆的
(15) parade[ pE5reid ]n.游行, 炫耀, 阅兵, 检阅, 阅兵场
(16) classic[ 5klAsik ]n.杰作, 名著adj.第一流的
(17) Oliver[ 5ClivE ]n. 奥利弗(男子名)
(18) chime[ tFaim ]n.一套发谐音的钟(尤指教堂内的), 和谐vi.鸣, 打, 和谐vt.
(19) Armstrong[ 5B:mstrCN ]n.阿姆斯壮
(20) trumpet[ 5trQmpit ]n.喇叭
(21) cornet[ 5kC:nit ]n.圆锥形纸袋, 短号
(22) goodman[`^JdmAn]n.主人, 男人敬称, 夫
(23) orchestra[ 5C:kistrE, -kes- ]n.管弦乐队, 乐队演奏处
(24) clarinet[ klAri5net ]n.[乐]竖笛, 单簧管, 黑管
(25) symphony[ 5simfEni ]n.交响乐, 交响曲
(26) solitude[ 5sClitju:d ]n.孤独
- Such things are beyond my ken.我可不懂这些事。
- Abstract words are beyond the ken of children.抽象的言辞超出小孩所理解的范围.
- The hospital has a medical ward and a surgical ward.这家医院有内科病房和外科病房。
- During the evening picnic,I'll carry a torch to ward off the bugs.傍晚野餐时,我要点根火把,抵挡蚊虫。
- Brass is formed by the fusion of copper and zinc. 黄铜是通过铜和锌的熔合而成的。
- This alloy is formed by the fusion of two types of metal.这种合金是用两种金属熔合而成的。
- She was joyful of her good result of the scientific experiments.她为自己的科学实验取得好成果而高兴。
- They were singing and dancing to celebrate this joyful occasion.他们唱着、跳着庆祝这令人欢乐的时刻。
- She was in the back of a smoky bar singing the blues.她在烟雾弥漫的酒吧深处唱着布鲁斯歌曲。
- He was in the blues on account of his failure in business.他因事业失败而意志消沉。
- The most popular music back then was called ragtime.那时最流行的音乐叫拉格泰姆音乐。
- African-American piano player Scott Joplin wrote many ragtime songs.非裔美国钢琴家ScottJoplin写了许多拉格泰姆歌曲。
- Maple sugar is made from the sap of maple trees.枫糖是由枫树的树液制成的。
- The maple leaves are tinge with autumn red.枫叶染上了秋天的红色。
- A single gene may have many effects.单一基因可能具有很多种效应。
- The targeting of gene therapy has been paid close attention.其中基因治疗的靶向性是值得密切关注的问题之一。
- Every miller draws water to his own mill.磨坊主都往自己磨里注水。
- The skilful miller killed millions of lions with his ski.技术娴熟的磨坊主用雪橇杀死了上百万头狮子。