时间:2018-12-18 作者:英语课 分类:2018年NPR美国国家公共电台6月


英语课

 


(SOUNDBITE OF THE ROOTS SONG, "THE NEXT MOVEMENT")


AUDIE CORNISH, HOST:


Not long ago, I spoke 1 with Questlove, hip-hop drummer extraordinaire of The Roots, about creativity. He said one of the most creative people he knows he met in high school, his Root co-founder Tariq Trotter.


QUESTLOVE: The way that his brain thinks - I don't know any human being on Earth that can absorb that much information and text in one go around.


(SOUNDBITE OF SONG, "THE NEXT MOVEMENT")


TARIQ TROTTER: (Rapping) Listen close to my poetry. I examine this like an analyst 2 to see if you can handle this.


CORNISH: Trotter is best known as Black Thought. "Tonight Show" fans know him for his look - short-brimmed hats, dark glasses, regal beard and a smile that, while rare onstage, lights up the place. Despite 25-plus years as The Roots' front man and lyricist, Trotter hasn't really done a project without them until now.


(SOUNDBITE OF SONG, "DOSTOYEVSKY")


TROTTER: (Rapping) Yo, the universe let the planets align 3. Spent 10K and the card didn't decline.


CORNISH: He's putting out a regular series of collaborations. They're called "Streams Of Thought." Volume 1 is out now. I asked him about the inspiration for the first song which, true to form, nods at a literary great, Fyodor Dostoyevsky, the novelist known for exploring pathological states of mind.


(SOUNDBITE OF SONG, "DOSTOYEVSKY")


TROTTER: (Rapping) Where I reside is the dark side of the glory. The fury I manipulate is the arc of the story written without a ghostwriter to author it for me. This is crime and punishment. I'm the judge and the jury. Listen.


I was doing an interview with Barry Michael Cooper for New York Times. And he - you know, he said, like, I'm the Dostoyevsky of hip-hop. That sort of resonated with me. And it's something that I took to the drawing board.


(SOUNDBITE OF SONG, "DOSTOYEVSKY")


TROTTER: (Rapping) If every man's a temple, the circumstance is simple. So to be transcendental I do enhance the mental. This is elder statesmen conversation. Take a look into them books from down in the basement, yeah.


CORNISH: This is also a song in which you reference being an elder statesman, right?


TROTTER: Yeah.


CORNISH: Take a look at the books in the basement. I didn't know if I'd get to the point where I'd get to interview rappers who had reached that point.


TROTTER: (Laughter).


CORNISH: It's good news (laughter).


TROTTER: Yeah, it's great news. I feel like we've - I've been around for such a long time as a writer and as an artist that I need to sort of speak to the way that my perception of the world has sort of changed. The Roots - we signed our first record deal when I was about 19 years old. So I'm a very different person than I was then.


CORNISH: Maybe a song like "Thank You" speaks to that a little bit.


TROTTER: (Laughter) I think so.


(SOUNDBITE OF SONG, "THANK YOU")


TROTTER: (Rapping) Thanks for the memories, for first and third of the month check deliveries, agencies in the early '80s for giving cheese to families with parents who had drug dependencies. Mass (unintelligible) storefront ministries 4. Dinners from the chicken lady, Miss Genevieve.


CORNISH: Now, I should say some of this imagery, which is really lovely and lighthearted description of growing up - you grew up in Philadelphia, right?


TROTTER: Yes.


CORNISH: To give people context, you also had this very traumatic childhood. So when you talk about getting a record label signing at 19, this is after a lot had gone on in your life, right?


TROTTER: Absolutely. Absolutely. Before the age of 2, I lost my father. He was murdered - a case that was never solved. My mother was also murdered I think when I was 16 years old or so. Her killer 5 I think is serving a life sentence now. By the time I was, you know, 16 years old, I had done a lot of growing up. But, yeah, the song called "Thank You," it's my way of saying that, you know, as trying as the times may have been, the past is what makes me the person that I am today. So...


CORNISH: Is that something you've come to recently? I mean, not that the music was ever really, really dark. I mean, there are rappers out there who basically are telling kind of gang life tales, right? Like, that's how they came up, especially, like, in the '90s with gangster 6 rap. But for you, is it only recently that you've found you can look back and say, OK, I'm OK?


TROTTER: Yeah. You know, recently I feel like I've just come to terms with maturity 7 and really more so with vulnerability.


(SOUNDBITE OF SONG, "THANK YOU")


TROTTER: (Rapping) This unbroken token of appreciation 8 for frequencies and stations not keeping the people waiting, for players who support and remaining completely patient. And each and every record in the basement, listen; thank you.


You know, I think the true artist, musician, dancer, writer, actor - a true artist is able to sort of articulate pain and tragedy or whatever...


CORNISH: Right.


TROTTER: ...In a way that sort of expresses what the listener or, you know, the beholder 9 may have been feeling but was less able to communicate.


CORNISH: And that's sometimes discouraged in hip-hop in the past. I feel like now you hear more of it.


TROTTER: Yeah. I mean, it's - traditionally, yes, hip-hop was sort of founded on the winner-takes-all concept. And you're not supposed to show chinks in the armor. I feel like only recently has it become OK and just far more acceptable to represent your true, vulnerable self. For me, I'm a super private person. To open up in the way that I have been in recent years has been cathartic 10 in a way but has also been traumatic, I guess (laughter).


CORNISH: Oh, really?


TROTTER: I mean, you know, there's something to be said about a person who sort of lives life without letting that many people in who's suddenly letting people in.


(SOUNDBITE OF TV SHOW, "THE TONIGHT SHOW STARRING JIMMY FALLON")


TROTTER: (Rapping) Yo, Jimmy making fun of me. I'm human, and there's only one of me. And I said, hold out. Yo, (unintelligible).


CORNISH: How much does that have to do with this job you've had in recent years - right? - as part of the house band for "The Tonight Show" where you guys are onstage in front of America every night? And you have to crack jokes. And you have to crack a smile. And you have to be willing to laugh at yourself.


TROTTER: That actually probably has a lot to do with it. There is a certain part of, you know, almost every day that I live in levity 11.


CORNISH: Which is funny. You're usually the straight man.


TROTTER: Yeah.


CORNISH: Like, the camera cuts to you and it's like, sunglasses, beard. And I think the joke is just, will you crack a smile?


TROTTER: Yeah (laughter).


CORNISH: Out of everyone onstage, can they make you smile?


TROTTER: But, I mean, you know, that - the beard, the sunglasses, the hat pulled down low, that's all, you know, just layers of my veneer 12, how I sort of protect myself I guess, you know? But, yeah, you know, I feel like this job has definitely made it far easier for me to open up and to show that sort of vulnerability and lightheartedness.


(SOUNDBITE OF TV SHOW, "THE TONIGHT SHOW STARRING JIMMY FALLON")


TROTTER: (Rapping) They got a homegirl named Abby. Her last name is Cadabby. I showed her my report card. She said...


UNIDENTIFIED ACTOR: (As Abby) Not too shabby.


TROTTER: (Rapping) They got all types of cool kids there.


CORNISH: You know, I've never asked you or never heard about your creative process. And being the lyricist for the group, how do you keep track of ideas? I mean, are you a person rapping into your smartphone? Are you a person taking notes on scraps 13 of paper? How does it work?


TROTTER: The writing process for me is more like essay form. I'll read a book. I'll watch a documentary or a film or whatever. I'll go to an art exhibit and just try and open myself to influence. It's almost like going through a book with a highlighter. Like, songs sort of organically evolve and write themselves if you're in tune 14 enough to sort of listen. You know, but what I've learned not to do is to say, oh, I'm just going to make a mental note and I'll remember that later because...


CORNISH: Oh, that doesn't work for you either?


TROTTER: Yeah, it doesn't work.


CORNISH: (Laughter).


TROTTER: Oh, yeah. Yeah.


CORNISH: That's what you've got to call the next one.


(LAUGHTER)


TROTTER: Nice.


CORNISH: The lost treasures of Trotter.


TROTTER: Yeah.


CORNISH: Like, all the music I forgot (laughter).


TROTTER: Trotter's treasure trove 15.


(LAUGHTER)


CORNISH: Well, Tariq Trotter, aka Black Thought, thank you so much for speaking with ALL THINGS CONSIDERED.


TROTTER: I'd like to thank you all for having me. It's always such a pleasure.


CORNISH: Black Thought - his new EP produced by 9th Wonder and the Soul Council is called "Streams Of Thought Vol. 1."


(SOUNDBITE OF MUSIC)



1 spoke
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说
  • They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
  • The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。
2 analyst
n.分析家,化验员;心理分析学家
  • What can you contribute to the position of a market analyst?你有什么技能可有助于市场分析员的职务?
  • The analyst is required to interpolate values between standards.分析人员需要在这些标准中插入一些值。
3 align
vt.使成一线,结盟,调节;vi.成一线,结盟
  • Align the ruler and the middle of the paper.使尺子与纸张的中部成一条直线。
  • There are signs that the prime minister is aligning himself with the liberals.有迹象表明首相正在与自由党人结盟。
4 ministries
(政府的)部( ministry的名词复数 ); 神职; 牧师职位; 神职任期
  • Local authorities must refer everything to the central ministries. 地方管理机构应请示中央主管部门。
  • The number of Ministries has been pared down by a third. 部委的数量已经减少了1/3。
5 killer
n.杀人者,杀人犯,杀手,屠杀者
  • Heart attacks have become Britain's No.1 killer disease.心脏病已成为英国的头号致命疾病。
  • The bulk of the evidence points to him as her killer.大量证据证明是他杀死她的。
6 gangster
n.匪徒,歹徒,暴徒
  • The gangster's friends bought off the police witness.那匪徒的朋友买通了警察方面的证人。
  • He is obviously a gangster,but he pretends to be a saint.分明是强盗,却要装圣贤。
7 maturity
n.成熟;完成;(支票、债券等)到期
  • These plants ought to reach maturity after five years.这些植物五年后就该长成了。
  • This is the period at which the body attains maturity.这是身体发育成熟的时期。
8 appreciation
n.评价;欣赏;感谢;领会,理解;价格上涨
  • I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
  • I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。
9 beholder
n.观看者,旁观者
  • Beauty is in the eye of the beholder. 看起来觉得美就是美。 来自《简明英汉词典》
  • It has been said that art is a tryst, for in the joy of it maker and beholder meet. 有人说艺术是一种幽会,因为艺术家和欣赏者可在幽会的乐趣中相遇在一起。 来自《简明英汉词典》
10 cathartic
adj.宣泄情绪的;n.泻剂
  • His laughter was cathartic,an animal yelp that brought tears to his eyes.他哈哈大笑以宣泄情绪,声音如野兽般尖厉,眼泪都笑出来了。
  • The drug had a cathartic effect.这药有导泻的作用。
11 levity
n.轻率,轻浮,不稳定,多变
  • His remarks injected a note of levity into the proceedings.他的话将一丝轻率带入了议事过程中。
  • At the time,Arnold had disapproved of such levity.那时候的阿诺德对这种轻浮行为很看不惯。
12 veneer
n.(墙上的)饰面,虚饰
  • For the first time her veneer of politeness began to crack.她温文尔雅的外表第一次露出破绽。
  • The panel had a veneer of gold and ivory.这木板上面镶饰了一层金和象牙。
13 scraps
油渣
  • Don't litter up the floor with scraps of paper. 不要在地板上乱扔纸屑。
  • A patchwork quilt is a good way of using up scraps of material. 做杂拼花布棉被是利用零碎布料的好办法。
14 tune
n.调子;和谐,协调;v.调音,调节,调整
  • He'd written a tune,and played it to us on the piano.他写了一段曲子,并在钢琴上弹给我们听。
  • The boy beat out a tune on a tin can.那男孩在易拉罐上敲出一首曲子。
15 trove
n.被发现的东西,收藏的东西
  • He assembled a rich trove of Chinese porcelain.他收集了一批中国瓷器。
  • The gallery is a treasure trove of medieval art.这个画廊是中世纪艺术的宝库。
学英语单词
afoords
aristoloside
audio technology
auditing around the computer
automatic block installation
b. suprapatellaris
Bangued
Bislama
blast amount meter
blepharomelasma
Bukit Timah
car roof
cascaron
charging dynamo
cluster radioactivity
common trust fund
Coningham
Cotoneaster divaricatus
currejong
customer's ledger
desterilizing gold
diagravitropism
diphenhydramines
double work time
Draba jucunda
echo power
electric cooker range
eolian placer
experimental psychopathology
final registration
flat compounding
floating-point radix
formed height of un-loaded single disc
Futures option
gesto
glucosamine-6-phosphate
healthcare facilities
heavy pumping
henrey
high level job control language
idionodal rhythm
in breeding program
inflammable compressed gases
inserted fraise
instrumentalis
iodoxy-
iridium(iv) hydroxide
jaunting cars
jet method
kentel
leafen
locking frequency
marback
monolithic patch
myxofibrcmata
notaire
notch filter
notch grinder
obliger
oil red
olfactic
oral gangrene
orderly market
Oxon.
palladium(ii) palladium(iv) sulfide
patch reef
periodic discharge
phase of folding
phytophily
picture string character
plant mulching
Point Samson
Police Navidad
potassium metamolybdate
preembargo price
raggery
remontant
reticulate duct
rotation perception
runaway star
salmon peel
second brief
set-up-scale meter
shahanshahs
sheared diagram
sinocythere yowdyi
some such
sownder
spacecraft material
spring conjunctivitis
steel heald
suck lemons
table roll
tapping voltage
tartre
tone signal
ungrandiloquent
unrelevant
win eminence
wish sb success
Zenadrex