时间:2019-01-02 作者:英语课 分类:名人轶事


英语课

Shirley Horn: One of the Great Jazz Singers of the 1950s and 1960s

Written by Cynthia Kirk




(THEME)




VOICE ONE:




I’m Faith Lapidus.




VOICE TWO:




And I’m Steve Ember with PEOPLE IN AMERICA IN VOA Special English.  Today we tell about jazz singer and pianist Shirley Horn.




(THEME)




VOICE ONE:




Shirley Horn was considered one of the great jazz singers of the nineteen fifties and sixties. She was often compared to the famous singers Ella Fitzgerald, Dinah Washington and Sarah Vaughan. She performed for more than fifty years.




Shirley Horn’s voice was smooth and expressive 1, but never hurried. She was one of the slowest singers in jazz. When she sang a song, she wanted the audience to feel it in the same way she did. She had a small voice. But her songs had a big effect.   




Here, Shirley Horn sings her popular song “You’re My Thrill.”




(You’re My Thrill)




VOICE TWO:




Shirley Horn was born in Washington, D.C. in nineteen thirty-four. She lived all her life in and around Washington. Shirley began taking piano lessons when she was four years old. Her mother recognized her skill and love for the instrument.   




Shirley Horn said most of the songs she performed were ones she grew up with. She said her family loved music and there was always music by the greatest singers and bands playing in her home. Horn said she lived for music. She said it was like food and water to her.




Shirley Horn studied classical music as a teenager. When she was seventeen, she had a chance to attend the famous Juilliard School in New York City. But financial difficulties prevented her from going. Instead, she studied classical music at Howard University in Washington.




VOICE ONE:




Shirley Horn had planned to have a career playing classical music on the piano. But she said all that changed after she began going to jazz clubs in Washington. She said she was influenced by some of the greatest jazz artists, such as Oscar Peterson and Ahmad Jamal.




When asked about her change from classical music to jazz, she would later say: “I loved Rachmaninoff, but then Oscar Peterson became my Rachmaninoff. And Ahmad Jamal became my Debussy.” 




Horn did not plan to be a singer. She said it happened by accident when she was seventeen and playing classical music on the piano at a restaurant. A man offered to give her a huge toy teddy bear if she would sing the song “Melancholy Baby.” Although she had never sung in public before, she agreed. She later realized that she could make a living singing and playing jazz. Here she sings the famous song by Cole Porter 2, “Love for Sale.”




(Love for Sale)




VOICE TWO:




In nineteen fifty-four, Shirley Horn began to sing jazz in clubs and started her own jazz group. In nineteen sixty, she recorded her first album, called “Embers and Ashes.”  The album did not get a lot of attention. But the famous jazz musician, Miles Davis, heard it. He liked it so much that he invited Horn to play music with him in New York City. She sang as the opening act before his performance at New York’s Village Vanguard nightclub. Davis had refused to play unless the club owner let Horn sing. Shirley Horn and Miles Davis developed a close friendship over the years. Here she sings and he plays the trumpet 3 on the song “Don’t Let the Sun Catch You Cryin.”




(Don't Let the Sun Catch You Cryin')




VOICE ONE:




Shirley Horn’s performance with Miles Davis in New York led to a record deal with Mercury 4 Records. She was soon performing around the United States. She also recorded with Quincy Jones and other top musicians. But Horn soon left Mercury Records because of creative differences. She wanted to play the piano on all her recordings 5, but the record company did not agree.




Shirley Horn stopped performing around the country in the nineteen sixties so she could spend more time at home with her husband and daughter. She played at local nightclubs in the Washington area during the nineteen sixties and seventies.




VOICE TWO:




Shirley Horn rebuilt her career in the nineteen eighties. She began performing more widely at jazz festivals and concerts around the world and received strong praise. In nineteen eighty- seven, she signed a record deal with Verve Records and remained with the record company for the rest of her career.




In nineteen ninety, Horn reunited with her good friend and teacher, Miles Davis, on the song, “You Won’t Forget Me.” She went on to record several successful albums and performed around the world.




She also worked on several soundtracks for movies. Here are Shirley Horn and Miles Davis with “You Won’t Forget Me.”




(You Won't Forget Me)




VOICE ONE:




Shirley Horn was nominated 6 for several Grammy Awards. In nineteen ninety-eight, she won the award for the album, “I Remember Miles,” in memory of Miles Davis, who died in nineteen ninety-one. Horn received many honors 7 during her career. But her last years were difficult. She had a series of health problems, including treatment for breast cancer. And in two thousand two, she had her foot removed because of problems caused by diabetes 8.




Shirley Horn continued to sing for audiences, but she did so in a chair, with someone else playing the piano. The loss of her foot made it difficult for her to work the pedals 9 that control the way the piano sounds. However, during her last performances, she returned to playing the piano with the help of a device 10 that took the place of her foot. In June of two thousand five, Horn suffered a stroke 11. She died four months later at the age of seventy-one.




VOICE TWO:




Critics say Shirley Horn influenced many young jazz musicians of today, including Diana Krall and Norah Jones. Critics say she will be remembered as one of the best singers in a great period of American jazz. In two thousand five, Verve Records released 12 a collection of her work, called “But Beautiful: The Best of Shirley Horn.” We leave you now with a song from that album called “Here’s to Life.”




(Here's to Life)




VOICE ONE:




This program was written and produced by Cynthia Kirk. I’m Faith Lapidus.




VOICE TWO:




And I’m Steve Ember. Join us again next week for People in America in VOA Special English

 



adj.表现的,表达…的,富于表情的
  • Black English can be more expressive than standard English.黑人所使用的英语可能比正式英语更有表现力。
  • He had a mobile,expressive,animated face.他有一张多变的,富于表情的,生动活泼的脸。
n.搬运工人;守门人,门房
  • The hotel porter will help you.旅馆的门童可以帮你的忙。
  • The porter and I looked at each other and smiled.我和脚夫微笑着你看着我,我看着你。
n.喇叭,喇叭声;v.吹喇叭,吹嘘
  • He plays the violin, but I play the trumpet.他拉提琴,我吹喇叭。
  • The trumpet sounded for battle.战斗的号角吹响了。
n.汞,水银,水银柱
  • The liquid we can see in thermometers is mercury.我们看到的温度计里的液体是水银。
  • Mercury has a much greater density than water.水银的密度比水大得多。
n.记录( recording的名词复数 );录音;录像;唱片
  • a boxed set of original recordings 一套盒装原声录音带
  • old jazz recordings reissued on CD 以激光唱片重新发行的老爵士乐
n.礼仪;荣典;礼节; 大学荣誉学位;大学优等成绩;尊敬( honor的名词复数 );敬意;荣誉;光荣
  • He aims at honors. 他力求名誉。 来自《简明英汉词典》
  • We did the last honors to his remains. 我们向他的遗体告别。 来自《简明英汉词典》
n.糖尿病
  • In case of diabetes, physicians advise against the use of sugar.对于糖尿病患者,医生告诫他们不要吃糖。
  • Diabetes is caused by a fault in the insulin production of the body.糖尿病是由体內胰岛素分泌失调引起的。
n.(自行车或其他机器的)踏板( pedal的名词复数 );脚蹬子;(钢琴、风琴等的)踏板;踏瓣
  • I couldn't reach the pedals on her bike. 我骑她的车够不到脚蹬子。
  • The pedals of a cycle are attached to a crank. 自行车的踏板与曲柄相连。 来自辞典例句
n.器械,装置;计划,策略,诡计
  • The device will be in production by the end of the year.该装置将于年底投入生产。
  • The device will save much time and effort for us.这种装置会使我们节省大量时间和气力。
n.笔画,击打,连续的动作,中风,心跳;vt.奉承,轻抚; vi.击打,心跳...
  • He drove in a nail with one stroke of the hammer.他一锤就把钉子敲进去了。
  • He broke the lock with one stroke of the hammer.他一锤就把锁砸坏了。
v.释放( release的过去式和过去分词 );放开;发布;发行
  • He was released on bail pending committal proceedings. 他交保获释正在候审。
  • With hindsight it is easy to say they should not have released him. 事后才说他们本不应该释放他,这倒容易。
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